Resident Evil 4

córka wujta gminy została porwana przez wieśniaków zarażonych hivem, wiesniacy gonią mnie po całej wsi, wujt gminy brody jest wściekły, sołtys rządzi kultem jechowych, wybiłem całe gospodarstwo kur po ukradnieciu ich plonów, przez katapulty sterowane przez jechowych prawie złamałem biórko w pół, polecam wszytkim mieszczuchom po pełne wsiurskie przeżycia

покажите мне уебана который придумал приседать на е

¡Un forastero! https://www.youtube.com/watch?v=pwHP2bDhkeo&list=RDpwHP2bDhkeo&start_radio=1 https://steamcommunity.com/sharedfiles/filedetails/?id=3788283822

BEN BU OYUNU OKUZ GIBI BEGENDIM GIDIN VE BAYILANA KADAR OYNAYIN !!!

Rarely could a remake/rewrite achieve the levels Resident Evil 4 reached. Now that it's been a few years since this release, I have the thoughts to write my review. Vastly different in tone from the original, there was a bar set so high that an Olympic pole-vaulter easily could've missed, and yet they managed to craft a refreshing experience on the foundation of the bones, marrow and chilled blood of the RE4 we all know and love. RE4 is arguably my favorite video game of all time, I played through it more times than I could count since I was young and loved it equally or more every time. This remake satisfied essentially every itch to be scratched, the greatly improved script (I love the campiness of the original, but a 1:1 remake would've been eye-rolling), smooth controls that lend themselves to the action-oriented terror and that ever-familiar atmosphere throughout the very extensive journey of our leading man Leon Kennedy. One of the most impactful changes they made was the rewrite of Ashley's character. I didn't have too many issues with the original, but in RE4R, she is so very well fleshed out and charming, contributing a depth and investment in her dynamic with Leon and the violent, horrifying world closing in around them. Not to mention her cheering you on in the shooting gallery was just about the most motivating thing possible. Excellent voice acting and character progression, I give an earnest thank-you to the writers for giving us this new look at a character we spend a great deal of time with. The lore presented through collectibles gives us much more insight into the characters as well, and while optional, I'm always glad when developers provide us with snippets into the thoughts, emotions and lives of those who inhabit the world we are plugged into. More than once I was caught off guard by how moved I was by the backstories of certain characters, and that connection only deepened my experience with the game as whole. The challenge still exists, I went with the confidence of a veteran RE4 player on the higher difficulties and found myself more than adequately impressed with how often I found myself on the back foot. The enemies don't just feel like fodder. The bosses are not only imposing, but quite cinematic in the same vein as the original. There's a true sense of accomplishment when you reach the end of this journey, and I couldn't be happier with what they changed, what they maintained, and what they greatly improved. As with the original, the replay value is vast. It's okay to be afraid...and it's also okay to stick a knife in the neck of a bloodthirsty Los Plagas trying to cut your head off. All that matters is you keep moving forward.

36小时，（经常）十几帧通关，话说里昂叔叔也太不解风情了！

This is how I feel about this modern reimagining because it is clearly not a remake, and quoting Olgierd von Everec from The Witcher 3: "Contemporary art has become superficial and bland... I once admired Vichelli for the life he could bring to stone. But this... is just a rock. Perfectly proportioned, but lifeless. Boring." [b]Pros:[/b] • Can be fun if you turn your brain off; • The target practice minigame is extremely fun. [b]Cons:[/b] • Complete mischaracterization of every single character and butchered dialogue like the one during the drive cutscene at the start; • There are more plot inconsistencies compared to the original story, which was written in two weeks; • I guess Leon couldn't say "She's like a part of me I can't let go" in this version because Ada is so obnoxious in this new timeline. Classic Ada clears modern. • Missing Ada reports in Separate Ways, which added a lot to the story in the original; • Ada's voice acting is abysmal; • Ganados not looking normal makes no sense narratively; • Every villain barely gets any screentime, especially when compared to the original; • Removed radio conversations; • Missing its camp, which gave the original so much personality; • The more serious tone feels forced and made me not take it as seriously; • We don't get to see mutations for bosses; • Missing the eerie soundtrack and atmosphere of the classic; • Soulless stock minimalistic-looking UI; • No splash art in between chapters; • Movement and gunplay clashes with the repurposed level design albeit still being an extremely easy game with a more jarring adaptive difficulty because yellow paint isn't enough; • No extra gamemodes on release that were in the classic from the get go. [b]This really is a product of its time.[/b]

peak