The Messenger

잔혹하고 무거운 아재 닌자 게임을 생각했는데 단순하고 가벼운 잼민 닌자 게임이었다. 세일할 때 싸게 사서 추천

Советую пройти. Играли Ninja Gaiden вот вам The Messenger даст то что надо.

As someone who grew up on PC gaming whose first Nintendo console was the Switch, I never had any nostalgia for the SNES gaming era or any of the retro titles like Ninja Gaiden. But pure enthusiasm can sometimes be an infectious thing, and The Messenger was a game so full to the brim with it that it left me wistful for a childhood past that I had never experienced. The lovingly crafted pixel animations and the rich chiptune music brought the world of The Messenger to life, and sparked in me a genuine interest in the Nintendo classics that had inspired it. But more than anything, what I loved most about The Messenger was its experimental creativity. I knew from the marketing material that this game would be a very unorthodox Metroidvania, but I was still a bit worried when I saw just how linear the first half of it appeared to be. It was essentially a Super Mario style scrolling platformer, albeit a very fun one. Then the game suddenly [i]morphed.[/i] In art, music, genre, and story, its transformation into a Metroidvania felt natural and complete. The playful details in both the level design and visuals that persisted through the two halves of the game enhanced the magical feeling of finding a new layer of unexpected mystery underneath the familiar and well-trodden paths. This spirit of playful experimentation permeated the entire length of The Messenger, culminating in the free Picnic Panic expansion which had some of my favorite mechanical twists. The story never took itself very seriously either, and seemed to thrive on humorous subversions more than any kind of dramatic conflict. I even enjoyed the 4th wall breaking dialogue and self aware meta-jokes, which I think would’ve become grating without the wholesome cast of characters to balance them out. Because of the bisected design of the game, I’m sure most players would end up preferring one section over the other. I personally liked the latter Metroidvania half more, but appreciated the morphing nature of The Messenger’s structure which made it a more memorable experience overall. The game also had some rough edges; the flow of the game would’ve been much tighter with more flexible fast travel options, and some of the upgrades in the skill tree could’ve been just default features instead. But if you’re the sort of person who values unconventional games with imperfect yet ambitious ideas, then I would highly recommend The Messenger.

Great game, i loved the storys and the writting. Very fun game play would recomend.

Когда я покупал эту игру, я не ожидал, что меня затянет в безумие временного парадокса. Начнём с того, что юмор в игре, несомненно, великий. Одно только "Моя способность отправляться в прошлое, а твоя - в будущее" запускает игрока в бесконечный круговорот ржаки. Музыка тоже на высоте - от самых простых треков до тем боссов (особенно доставила музыка Тотема из дополнения). И в целом большой плюс игры в том, что она не оправдывает ожидания игрока - конец игры на самом деле им не является, злые боссы на самом деле вполне вменяемые (ну или просто недопонятые) жертвы разрушающегося мира, а разговоры с Лавочником и его лекции представляют из себя не столько нравоучения, сколько реально имевшие место быть события из мира игры. 666 Кварблов из 10.

I have not had this much fun since Super Metroid

Es un juego extremadamente simple en cuanto a sus mecanicas y jugabilidad, su historia es ligera y maneja un humor auto referencial con "chistes temporales" muy agradables de entender cuando los retoman, es muy divertido y su plataformeo es muy agradable, una vez consigues el gancho la movilidad mejora a pasos de gigante, sin duda devolver es un sello de calidad.