MOTORSLICE

Motorslice é uma experiência que deixa muito clara a inspiração nos jogos da era do PlayStation 2. A gameplay, e até mesmo alguns aspectos visuais, remetem bastante a essa época, bebendo diretamente da fonte de jogos como Shadow of the Colossus, Prince of Persia e outros títulos semelhantes. O jogo ainda consegue ter uma identidade própria muito forte, principalmente pelo visual, que combina muito bem com a proposta. A trilha sonora é outro ponto que merece destaque. Ela consegue acompanhar muito bem cada momento do jogo, seja durante uma parte mais contemplativa ou em uma sequência de combate, sem parecer deslocada. A protagonista P também é bastante carismática, principalmente na relação com seu drone Orb, que rende alguns momentos divertidos durante a jornada. Por outro lado, a movimentação 3D é algo que me incomodou bastante no começo e, sinceramente, até o final ainda parecia um pouco estranha. Em alguns momentos é necessário posicionar o analógico de uma maneira muito específica para conseguir realizar determinado movimento, algo que não me pareceu muito natural. Felizmente, fui me adaptando ao longo da campanha e isso nunca chegou a se tornar um problema grande o suficiente para estragar a experiência. Os combates contra os chefes são divertidos e conseguem diferenciar relativamente bem a forma como cada um deve ser enfrentado. No fim das contas, porém, a solução continua sendo motosserra neles em pontos específicos. Também não espere uma grande variedade de inimigos ou chefes, já que existem poucos tipos de inimigos comuns, além de algumas minas e serras espalhadas pelos cenários que também servem como obstáculos. No geral, o saldo é extremamente positivo. Parabéns à Regular Studio, um estúdio brasileiro, por conseguir entregar uma experiência tão bem refinada, com personagens carismáticos, uma identidade visual marcante e, principalmente, por saber a hora de terminar. O jogo não se estende desnecessariamente e consegue chegar ao fim sem deixar aquela sensação de repetitividade ou de que precisava de mais conteúdo. Uma ótima experiência para quem sente saudade dos jogos daquela época. 8/10

Понравилось, что вид от третьего лица прописали как дрона под управлением игрока, на действия которого всячески реагирует героиня — это прям добавляет погружения. Паркур в игре сносный, не сильно успел надоесть, так как почти на каждом этаже к нему добавлялись новые элементы. Враги в игре мусорные; единственные противники, представляющие какой-то интерес в игре, — это боссы, механика сражений с которыми напомнила мне Shadow of the Colossus. Короче, игра — кайф, разработчику руки целовал.

La ves en que Hulk pidio un paro: Siendo uno de los momentos mas tristes para la humanidad en una batalla ya perdida un agonizante pero al mismo tiempo inmortal Hulk estaba siendo atacado infinitamente por unas bolas o sepa que mmda ya que este al no poder morir se regeneraba constantemente cuando se dio cuenta que no podía hacer nada más este grito las palabras más desgarradoras de la historia...TIREN PARO!!!....

Joya, 9/10. Los controles podrían ser mejores para el parkour, de ahí en fuera todo bien, todo correcto y yo que me alegro. Cómprenlo tranquilos, pues habrá valido cada centavo.

You can confidently purchase this at full price. Level design and art direction are top notch but the sudden loss of inertia midair and the dodgy fall damage really hurts the experience. That being said, the combat was very enjoyable throughout and it did manage to scratch that itch left by Shadow of the Colossus so many years ago. I really hope the devs can make a sequel and expand on the universe with characters, more involved boss fights and cosmetics (please!).

"VERTIGO SIMULATOR: The Game", or "How I Learned to Stop Worrying and Just Go SPLAT!" That sounds like hyperbole, but it's not so far from the truth as you may imagine. The whole point of this game is to feel really tiny, in a place full of alien architecture where no human was ever meant to be. And then somehow get through it all. You can't even advise the prospective player to, "Don't look down." Because the game will force you to do it anyway, just so you can figure out where to go next. Or where not to, as the case may be. It's awesome. And I mean that in both senses of the word. It's both incredibly cool, and ABSOLUTELY. TERRIFYING! I have some advice that worked for me, but first I should address the commentary surrounding the game's "jank". There is some jank in the mechanics, but a lot of that turns out to be natural consequences of trying to make 3D geometry work, without making all of it straight lines. You'll find that in any 3D platformer if you end up in tight situations, or go somewhere you didn't need to go. And also, the fans that make ridable air currents don't seem very safe to use. Definitely some jank there. So yes, sometimes you just can't do something. Sometimes, things will jitter. Those fans blow chunks. But to be fair to everyone else, you will find yourself dying A LOT. You won't like it. And it turns out that camera angle and direction of movement relative to that, can make all the difference between doing the right move, and the wrong one. The right one will at least get you somewhere safe, even if you have a hundred more moves ahead. The wrong one just makes you go SQUISH. You have more freedom of movement than you did in the Ubisoft Prince of Persia games. Even the one from 2008. And that is by design. The tutorial just... doesn't tell you that. Hey, devs? If you want to make a game with a high skill ceiling, by all means do that. Dark Souls level of difficulty is pretty much its own standard of design these days. There are people out there who crave it. But could you possibly be a little less vague about that? It's NOT FAIR PLAY, and I'll keep saying that if I have to. There is a difference between being mysterious, and hiding what's important. A tutorial should TEACH, not be like a faulty map that gives you the runaround. Or, to use another analogy... If you hand someone a paintbrush expecting them to draw, but you make it look like a hammer and tell them it's a hammer, WHOSE FAULT IS IT when they start trying to smash everything? Hmm? Apart from that though, I think P is a true successor to the good Prince. Ubisoft refuses to do it right anymore, so either someone else must do it... or we all get to live without. If you like games with parkour in them, such as the aforementioned PoP, you should absolutely look forward to playing this. And now, here's the advice: 1. Don't tell yourself not to look down. It won't help. 2. Take deep breaths while you play, that will make it less stressful. Then FEEL THE FEAR, and make the jump. 3. You're fragile, but you're not helpless. Parkour is an art AND a science. Make sure to look just the right way, and move in the EXACT direction you need, otherwise WELCOME TO DIE. 4. Sometimes there is more than one way to get somewhere. 5. If you don't want to see the fall (and you arguably shouldn't), HOLD R TO RETRY. And be quick, because death... doesn't wait for you to be ready. 6. If you need a break from the game to unwind, take a break. Your soul will thank you for that, and so will P. 7. There are only a few forced cutscenes in the game. None of those ones are about "gooning". If you don't wanna see "gooner" material, don't activate the Slack Off moments. Skip past and take your break your own way. That is your right, but I don't think it's as bad as you say. 8. And finally, YOU WILL DIE, MORTAL. AGAIN AND AGAIN. YOU WILL FEEL LIKE YOU ARE NOTHING! But you can beat this game. Don't give up! Good luck, Slicer. We're all counting on you, and remember to breathe. It's good for you. <FAILURE IS FORBIDDEN>

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P comme Parkour Ou PARFAIT un banger tout simplement !!