Ori and the Blind Forest: Definitive Edition

El mejor juego que he jugado por mucho. 10/10 en banda sonora, jugabilidad, diseño, historia. Un final bellísimo que te llega a lo mas profundo del alma. Si solo pudiera elegir jugar un solo juego en la vida, elegiría este.

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One of the best singleplayer games I've ever played. Amazing story, great movement system, lots of things to collect. The combat isnt the best, but its still fun enough. Would very much recommend, can't wait to buy the sequel.

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Dont let the slow start fool you. Once you unlock your very first few abilities it will turn into dynamic action. Story is exceptional and emotional. And the game feels more organic compared to other games of the same genre. Abilities are smart and fun to use. I like how they were not scared to experiment and not explain everything. There is a plenty room for exploration as well.

This might sound like a harsh review, but that's only because everything you've heard about the game is so blatantly true. The visuals? Jawdropping. The music? Breathtaking. The movement? Smooth as butter. Everyone knows this stuff, so it need not be repeated. This is a review of everything that kept me from marking Ori as an outstanding 10/10. As a game, Ori obviously wants you to save at your leisure; it helps them design fun platforming challenges without worrying too hard if a player has saved or not. This quirk of the game will inexorably inspire a compulsive saving habit within the player, always saving at any minor inconvenience. You get used to that paranoid feeling after a bit, but it’s still not a wanted emotion, and I struggled to grapple with the fact that the game really doesn’t save unless you do it yourself, whereas in most games I play, it still saves your progress if you enter a room. It does make me appreciate traditional save-states more; I never realized how much I valued the “thank God, a bench” reaction in what I play until Ori, a game completely lacking in that. It helps the pacing of the game and gives you a good idea of where you should end your session. Another issue I had with Ori is the upgrade tree system, with how numerous ability points are throughout the map, and how incremental the value of each individual ability is. You never really feel like you’re getting stronger in Ori compared to other Metroidvanias. Each point is just one slog to the next, and the capstones – while being good – don’t feel like capstones, just another tool in an already well-worn arsenal. I also have an issue with the way Ori designs its obstacles. In Metroidvanias, when you come into contact with an obstacle, you wonder what you’ll need to overcome it. With Ori, you’ll run into an obstacle and wonder if you already have the tool you need to overcome it, but the method for unlocking it is hidden a few rooms away. To me, a lock should be opened once you find the key. With Ori, you’ll put the key in the lock, and it’ll unfurl a puzzle or riddle for you to solve. That riddle will cause you to question whether you inserted the right key in the first place. Certain level design decisions are also incredibly annoying; it seems like an absurd decision to make a dungeon that functionally drains everything you’d like about Ori, and just to rub salt in the wound, the physics are wonky, and it makes you feel like the game hates you. If you’ve played the game, you know exactly what I’m talking about. While on an objective level, Ori and The Blind Forest is a phenomenal game that keeps you captivated from beginning to end, it has enough “quirks” to bring down your playing experience and bumps it to only Great. 8/10

Le jeu et l'histoire sont beaux. Par contre, quel idée de merde de mettre un personnage qui saute au ralenti. Pendant toute ma partie j'ai eu l'impression de laguer. Quand tu rate un saut tu dois attendre toute la fin de la chute au ralenti pour réitérer, ca devient vite infernal.