Unite the Veilguard and defy the gods in Dragon Age™: The Veilguard, an immersive single-player RPG.
Modeled estimate, not a reported figure. How we estimate →
Prices
Each in the currency that store quoted — not converted: the gap between two rows is the publisher's pricing, not an exchange rate.
Availability
We put this game to every storefront we collect. A market that answered not sold has told us something about the game; a market we never asked has not, and the two are never drawn the same.
Discounts
Every price cut of more than 20% we have observed, in each market that quoted one, with this game's chart position on either side of it. These are episodes, not a model: a sale is one event, and one event cannot tell you what the next one will do.
Reviews, worldwide (the counter carries no country): 5.71/day in the week to Sep 14 → 3.83/day in the week after.
About
Add-ons
Each DLC is estimated with the same model as a game, then summed — a modeled figure, not reported DLC sales.
Sums Steam only; PlayStation, Xbox, Epic publish no volume signal, so the true total is higher by an unknown amount.
| Store | Price | Audience | Score | Chart | Est. revenue |
|---|---|---|---|---|---|
SteamYou are here | $20.99−65% | 41.4Kreviews | 68% | — | $20.6M |
| $89.99 | 51.9Kratings | 64% | — | not modelled | |
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Reviews
Themes across 1134 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
Well, that just happened
Após uma incrível experiência de 80 horas para terminar o jogo, escrevo esta resenha. Dragon Age Veilguard é o 4o jogo de franquia pela qual me apaixonei desde o Origins, quando joguei no Playstation 3. A franquia evoluiu em diversas áreas, inclusive no storyline. Não tem como comentar a história sem dar spoiler da linha de tempo da série, então fica a minha recomendação que você jogue os games desde o início: Dragon Age: Origins Dragon Age 2 Dragon Age Inquisition Dragon Age Veilguard Nota importante: Apesar de todo o drama sobre "cultura woke", o jogo DEFINITIVAMENTE vale a pena ser jogado. O plot principal é de certa forma previsível, mas a beleza do jogo e seu roteiro não se afirma em mistério - e sim como suas decisões moldam a história. MUITAS decisões que são tomadas - praticamente todas, afetam todo o continente de Minranthous de certa forma. Algumas decisões, inclusive, traçam o rumo da história de uma maneira que te faz querer jogar o game inteiro novamente - aí entra o meu único problema com o jogo. Ele é bem longo. Talvez longo demais. Como infelizmente não disponho de tanto tempo para jogar, levei muito tempo para acumular essas horas e finalmente completar a história. Gostaria MUITO de jogar novamente traçando outros caminhos, escolhendo novos rumos e com um novo arquétipo de protagonista - desta vez um cara mais debochado e fanfarrão (minha protagonista foi uma Qunari valentona e direto ao ponto, que respondia aos problemas com violência). O problema é que o jogo é demorado para se deliciar com todos os arcos dos personagens aliados, o que - para a minha rotina de vida, não me possibilita uma segunda partida sem ter que negligenciar outros tantos jogos incríveis que ainda me aguardam. Nota importante #2: Saiba o que esperar de um jogo como Dragon Age. Diferente do que aquele YouTube nerdola virjão esperava, esse NÃO é um jogo de "bater em todo o mundo" e brandir o machado loucamente como um hack'n slash. É um jogo cinematográfico, de conexões, de experiências íntimas e descobrimento. É sobre olhar para dentro de si e entender as mazelas da humanidade e suas muitas incertezas e falhas. ÚNICO problema que vejo em um contexto geral: O romance não me convenceu, sinceramente. O beijo é ridiculamente sem graça (sim, BEIJO, no singular) e os personagens não trocam palavras de carinho, nem nada. Nem a consumação do relacionamento é convincente como foi nos jogos predecessores. Único ponto decepcionante.
Media
Related
Related
Price dynamics, follower growth, revenue and sales trajectories with interactive tooltips
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14 of 15 markets; the rest we haven't asked for this title, not markets where it is unavailable.
14 on sale1 answered “not sold”0 we did not ask
The 1 “not sold” market is read from the Steam price pass of Aug 29: that day the store answered for this game elsewhere and gave no price there. The 14 priced markets are the same rows as the table above — each the latest price we hold, dated here when it is older than that pass. The 0 marked “not asked” were not put to this store at all — either it has no storefront there or we do not collect it yet, and neither is a statement about the game. A refusal is a refusal on one day; a store can list a title again tomorrow.
Reviews, worldwide (the counter carries no country): 8.43/day in the week to Jul 30 → 6.43/day in the week after.
For scale, across Steam · Top Sellers · Brazil over the last 30 days: the 24 chart moves that followed a price cut of more than 20% went a median of 9 places towards #1, and the 2,419 moves with no price cut behind them went 2 away. One store, one chart, one country — it is the only place we have enough observations to say even that.
Prices outside the United States have been collected since 6 August 2026 and chart positions since 19 July 2026, so a cut older than that has no market to compare and a market that joined later has no history yet. Nothing here is converted between currencies.
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French*, Italian, German*, Spanish - Spain, Japanese, Korean, Polish, Portuguese - Brazil, Simplified Chinese, Traditional Chinese, Russian*languages with full audio support
| $69.99 |
| 11.9Kratings |
| 66% |
| — |
| not modelled |
| $59.99 | — | 80%* | — | not modelled |
Matched by title — a reused name can pair the wrong games. * is a critic aggregate. Prices and positions are each store's United States storefront; Epic charts worldwide. Audience and Score too, except Steam's, which is worldwide.
Hours played at review time, across 1.1K reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
WAY too many cut-scenes... I just wanna play my character!
A solid entry in the Dragon Age canon. Great characters and a fun story. I felt like this one escaped a lot of the bloat of DA Inquisition, felt more finished than DA 2 and is obviously much more modern than DA Origins. Despite the world hopping, the game managed to make me feel attached to some of the locations while keeping the world big and diverse. As ever with DA, there were feels in spades.
Crashes EVERYTIME
WAS DOING THE TUTORIAL, JUST FINISHED AND THE GAME CRASHES....WTF IS THIS.
После прохождение этой параши , начал чувствовать себя бы феминисткой Если серьезно игра оверпрайс = не стоит покупать .Повестка на повестке , скучные побочные задания Типо проведи время со своей командой … 15 часу я уже болт положил и начал проходить строго сюжет. И то сюжет не прям супер.. Босы однообразные и скучные Если же покупайте игру по огромной скидки то = локации, они хорошо сделаны, интересно исследовать, локации разнообразные, графа на уровне даже на минималках. Ну и главный + почему я взял эту игру про феминисток она хорошо идет на стим деке. На пк я в такую херню играть не стал бы..
개 조옷같은 게임, 개 조옷 같은 개발사, 개 조옷 같은 EA 그래도 팬이라서 출시일에 디럭스산 내가 호구지.. 실행만 해도 다운 되는게 말이 되냐? 패치도 안해줄거 시부럴 앤썸은 또 어떻게 시팔 아예 구매내역 삭제까지 내가 매스이펙스 신작은 절대 안산다 개같은 EA ! 개 같은 바이오웨어
Origins is dated and janky, but still good by modern standards. DA2 was obviously low-budget, but felt fine. DAI was and is incredible. DA:O was intended for 17-year olds. DA: Veilguard was released in 2024, which means the average player who was interested in Dragon Age is hovering over ~30 years old. Despite this it feels like I'm playing a game targeted at 8-year olds. The Veilguard feels like someone made a mod for Fortnite and then hired a bunch of second-screen writers. Every relevant piece of information is repeated 15 times, and characters feel more like caricatures that feel faker than a cardboard cutout. Mechanically speaking the combat feels smooth, but companions are no longer meaningful contributors and customization has dropped down to practically nil. This results in a game that manages to look both better and worse than DAI with worse writing than any of the games that came before targeted at an entirely new player base. If you're like me and you want to know how it ends then go for it, but I cannot otherwise recommend buying this game. This doesn't feel like Dragon Age at all. You'd be better off watching a youtube summary.
Не хотелось бы верить, что столь классную некогда франшизу ждёт настолько смазанный конец. Что там у Биоваров из козырей ещё в загашниках осталось, Mass Effect? Ну, удачи, счастья-здоровья, как говорится. Про многочисленные недостатки Вейлгарда сказано уже неоднократно, так что повторяться не буду, но упомяну, что раздражало меня больше всего - позитивная стерильность всего происходящего. Помните, какие острые, юморные, интересные были пикировки между напарниками в предыдущих частях? Здесь же я даже одного запоминающегося диалога не вспомню, любые попытки в конфликт ликвидируются миротворческими отжиманиями. Не то чтобы я привык сраться с напарниками, но на местный мир-дружба-жвачка ну прям невозможно смотреть. С другой стороны, отмечу и те моменты, которые позволили мне дойти этот путь до конца - мир исследовать было интересно, лора навалили предостаточно, боевка с упором на экшон весьма бодрая и динамичная, постановка некоторых сцен (увы, только некоторых) прям порадовала своей эпичностью, поэтому всё же поставлю палец вверх.
Selling now
See how fast this game is selling right now — estimated copies and revenue per day from recent review growth.
Active players
Estimated daily and monthly active players (DAU/MAU) modeled from peak concurrency.
Players by region
Where this game's players are, estimated from review languages.
Players also reviewed
The games this title's players most often review too — audience affinity.
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