A Plague Tale: Innocence

В эту мне порекомендовал друг, который играл в пиратку у себя. Я у него начал. Мне она понравилась. Даже быстрее его ее прошел(дома, уже). Конечно никакой пиратки не было у меня. Иначе не писал бы здесь обзор. Конечно неудачи были во время миссий. Но, за это, я и люблю стелс игры. Тебя обнаруживают, потом загружается последняя контрольная точка. И ты уже думаешь, как поступить иначе. Короче, рекомендую.

A Plague Tale: Innocence is a gorgeous, immersive game held back by an adherence to a restrictive and limited gameplay loop. Although I found the overall experience and completion of the game a satisfying endeavor, I was struck by how high the highs are and how low the lows are. The game is by far one of the most stunning I've ever played. Each chapter is crafted like an old oil painting, and the developers' ingenuity and talent at creating a cohesive art style, absorbing atmospheres, and a variety of gloomy medieval environments impressed me. Games with high-fidelity, photorealistic, technical graphics don't move me anymore — any solo dev can make a UE5 game that looks "good" technically, but few have such striking artistic unity and oil-painting-like elegance that becomes timeless, no longer belonging in appearance to a specific console or engine era. Think of the difference in styles between Crimson Desert and Breath of the Wild. However, were it not for the game's captivating visuals and mood, I would have dropped it very fast. The gameplay is limited, almost nonexistent — any less diversity and the game would have essentially been a 10-hour-long quick-time event. It's a walking simulator where there's only one solution to every enemy encounter, one way to solve each puzzle, and one direction: forward. It almost feels like walking through one very long, narrow tunnel — except the tunnel is decorated with Renaissance paintings. Sometimes the pacing is so sluggish it becomes excruciating, where the developers force you to walk at a crawl — a pet peeve of mine that provokes nail-ripping boredom. Maybe this is a "me" issue, but this style reminded me a lot of Naughty Dog games and PlayStation "movie" games in general. These are the strongest and weakest parts of the game; the rest is mediocre — average to poor voice acting, decent facial animation and mocap, unremarkable music, and a thin plot with a generic villain who only serves to give context to the supernatural element of the world. The game would have benefited from a couple hours of padding cut. I'm hoping the sequel greatly expands on gameplay and player choice, and innovates in the story. All in all, I'd give it 6.5/10.

A beautiful story

not the best but still good game for single player story

historia 10! personajes 10!

①游戏早中期阶断强制转操作视角，导致操作不顺畅。 ②游戏初期（尤其前三章）全是小孩不懂事，令人惹火 ③对话自言自语，比如为什么。。。，惊叫，哭啊叫啊的，两人都感觉智商不在线，后面操作男孩时又惊人地冷静等等 ④操作转盘没有快捷键，导致一旦被多个敌人追逐，没有反应时间，调UI时导致死亡 ⑤剧情和画面尚可，但游戏后期有些扑朔迷离，女孩又莫名无能

Muy buen juego. Las únicas cosas malas que tiene son cómo expresa las emociones de algunos personajes y ciertas decisiones en el diseño de los puzzles. Cuando Hugo se entera de que sus padres han muerto, en lugar de mostrar tristeza solo se enoja con su hermana, y no siento que esa sea una reacción normal al enterarte de que tus padres han muerto. Además, en uno de los puzzles, cuando vas a buscar el libro, la protagonista, en vez de subir la primera columna y saltar sobre la roca gigante para llegar al libro, hace un minijuego completamente innecesario, haciendo que pierdan tiempo hasta que llegan los guardias. Simplemente no tiene sentido y siento que rompe un poco la intensidad de la persecución.

jogo muito bommmm