UNBEATABLE

The story has, insanely slow pacing at the begining, you could cut the entirety of chapter 2 and the story would still be consitant, yet doesn't mean the story is bad. It has a good resolutions, with well written characters and really good voice acting. ♥♥♥♥♥♥♥ love clef

好音乐，好美术，好故事，虽然很多剧本细节可以说一塌糊涂，从第一章玩到第四章可以说剧本一直在谜语人，设定啥的也是根本没好好说清，甚至终章打完也有点稀里糊涂只了解了个大概，但是整个画面配合音乐真的洋溢着青春，上一部给我这种感觉的作品还是FLCL，玩的时候一边爽一边惆怅。终章的演出配合优秀的台本情感渲染真的特别好，我相信打终章的时候所有人都能享受到那份被牵动心弦的情绪

bazı yerlerde salak olduğum için boş boş dolaşmam dışı harika oyun müzikler falan çok iyi alın

i know, on a technical level, unbeatable is not perfect. i can see my computer hitch between cutscenes as an awkward transition, and i can see all the little bugs still left behind that get stomped with each update. i know it's not perfect. but, in my heart, i can't really find myself to be upset over it? it's not that i don't care about the bugs being there, i do, i want a smooth experience when i play a game, but this doesn't feel like i'm playing a game. it's a story that i am reading and interacting with and living in, and when stuff goes wrong, i don't know. it doesn't feel as bad as it should. in the ways that matter to me, unbeatable is really, really damn good. another one the "list of games i've cried over." i don't know if that's a high bar, there's not a lot of games that i want to finish anymore. unbeatable was one of them, and that has to count for something, right? it sounds perfect, it feels perfect, and when it isn't perfect it just feels like a reminder of how human it is. people made this and put everything they had into it, and it still trips sometimes. who am i to blame them? i don't know who i am right now, but i am better than who i was before. i am seven years different, and i am seven years better, and i refuse to be worse than who i was before.

As someone who enjoys but sucks at rhythm games, who doesn't want to even be *prompted* to post my scores to leaderboards, I figured this would be another case where I would enjoy stumbling through the campaign, with free play being a little bonus. And the game even has a fun narrative angle, where a government of no particular real-world nation, with no particular party affiliation, bans music for no reason, so anyone who doesn't exactly like governments can enjoy bashing the fash with their guitar. I hate every character in the campaign. They're all annoying, and as much as they claim to be friends, they clearly are not. I hate all the walking. I hate the presence of puzzles in a rhythm-action game. Several times, I've gone to break at work, pulled out my Steam Deck, and had to sit through so much bad dialogue and padding walking, that I didn't even get to play one track. I've played enough rhythm game campaigns to know what I want from them: I want tons of tracks played in a row, with minimal cutscenes that serve to give you a quick breather. This campaign is tedium that rewards you for sitting through it with not nearly enough rhythm sequences. And the writing that isn't the annoying characters, that is the text of the game itself and the achievements, reeks of what is often called "millennial" writing, the irreverent "well THAT just happened" attitude that ruins everything it touches. Take a look at the achievement names and descriptions, that same grating writing is also used every time a note is added to the notebook. I have to leave story mode and go to the free play arcade mode to be reminded that the actual tracks and gameplay are enjoyable. I like the beats, I like the crunchy sound effects of hitting a note. Unfortunately, as far as I can tell, sitting through the campaign is required to unlock more tracks, and despite there being an achievement for skipping the campaign dialog "too fast", you can not skip it fast enough.

wow

This game has some good music in general