UNBEATABLE is a rhythm adventure where music is illegal and you do crimes. Follow the story of Beat and her band on the run, in a narrative experience full of big emotions powered by arcade-flawless rhythm gameplay.
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Each in the currency that store quoted — not converted: the gap between two rows is the publisher's pricing, not an exchange rate.
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Every price cut of more than 20% we have observed, in each market that quoted one, with this game's chart position on either side of it. These are episodes, not a model: a sale is one event, and one event cannot tell you what the next one will do.
Reviews, worldwide (the counter carries no country): 9.29/day in the week to Sep 8 → 10.14/day in the week after.
About
You know, when you explain an idea, the idea fundamentally changes.
UNBEATABLE is an anime-juiced rhythm adventure where you (figuratively) destroy on stage while you (literally) destroy on stage. During rhythm gameplay, you only need two buttons: a button for up and a button for down. Simple to understand! The complicated part is doing it. Try not to get destroyed yourself.
Half the game is walking around and taking things at your own pace. The other half is trying to keep up with ours.
The pink-haired girl is Beat, and she is you, and you have a lot of things to worry about. The cops are everywhere, and they are mad at you for what feels like no good reason. Though it doesn't help your case that you keep making friends with people that the cops are mad at for slightly better reasons. But what do I know?
Talk to people, help them out (or don't, I'm not your mom!), play huge concerts, and punch cops. And then run away from the cops you punched. Also there are monsters or something. Not sure what's going on there?!?!
All of this culminates in massive setpieces where everything is at stake. The music got you here. It'll get you through it.
*if this was 1999 this section would be called "talk the talk and rock the rock"
UNBEATABLE's full arcade mode is an entire game by itself with its own progression system and a full online component. There's modifiers, tons of songs (with more to come!) and a whole challenge board to beat, with things to do that range from as simple as "beat a song on easy mode" to, one may presume, something as complicated as "solve an ancient riddle while skateboarding." That's not a real example.
**if this was 1999 this section would be called "party like it's now"
FEATURES:
Story Mode: 6-8 hours. Arcade Mode: UNLIMITED
Characters that hate you!
Maybe also some that don't!
The arcade mode has a cute little profile you can customize and unlock stuff for and I think that's pretty neat
Graphics! We'd describe them but I mean it's right there, you can see it
A whole entire double album worth of original songs
plus acoustic versions of those songs
oh and also remixes, too
You can unlock all the songs by playing the narrative OR just by playing the arcade game exclusively! Great for those who truly hate stories
Something (in this game) will make you feel something (in real life)!
It's anime
If you think about it, QTEs are basically just rhythm games with no music
Please, whatever you do, the title is either all caps or no caps. Be kind to us.
And the idea changes you in return.
Sums Steam only; PlayStation, Xbox publish no volume signal, so the true total is higher by an unknown amount.
| Store | Price | Audience | Score | Chart | Est. revenue |
|---|---|---|---|---|---|
SteamYou are here | $19.59−30% | 6.5Kreviews | 92% | — | $3.8M |
| $27.99 | 1.8Kratings | 88% | — | not modelled | |
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Reviews
Themes across 1168 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
リズムゲームは面白いけど、本編に関しては言いたい事も沢山あるっていう印象 ビート等のキャラは魅力的だし、 作風や雰囲気、作品のノリ、アニメーション等、魅力的なものが沢山あるのに、ストーリーに今一つ入り込む事が出来なくて。 出てくる文や会話の言葉の意味が、今一つピンと来ない時が多い 日本語訳のニュアンスのせいなのかは分からないけど。日本語訳は基本的にキャラに合ってるし、流暢な印象です。 それと本編のゲームシステムはリズムゲーというよりも、色んなミニゲームがごった煮のアドベンチャーゲームという感じで中々リズムゲームが出来ない。 しかもリズムゲームが出てきても難易度がチュートリアルなのかって感じの簡単さ（本編の難易度はノーマルを選択）なのでやっても今一つ盛り上がれない 出てくるミニゲームも、説明が足りなくてどうしたら成功なのか手応えが無いものがあり、別に特に成功しなくても進行するのでストーリーもミニゲームも今一つピンと来ないまま進む事がある。 だから中々本編の内容が刺さらない。雰囲気はすごく良いんだけど アーケードモードではしっかり音ゲーできます。そっちはとっても楽しいです。 私は普段リズムゲーをやらないんだけど初めてリズムゲーに熱中しました。 このゲームの音楽も良いし、セレステやネクロマンサー等の他人気ゲームとコラボして出てる曲もあるけどそっちも凄く良い曲。 ズレても受け付けてくれる入力範囲が広い事には一長一短があると思う。 カジュアルに楽しめる雰囲気があるのは良いし、或いはガチ目にリズムゲームやりたい人にはちょっとモヤモヤするかもしれないっていう 曲ごとに倍速とか、低速で練習などの調整できます。 色々言ったけど私は基本的にこのゲームの作風が大好きです。本編が刺さるかどうかは人によるけど独特のセンスや魅力たっぷりなのは確か。 アーケードモードのリズムゲームはとても楽しいのでオススメ。
To review UNBEATABLE, all caps or no caps, I think I need to start by positing a hypothetical. Have you ever turned on the radio, or been in a store where they've got music on, and heard some absolute schlock? Just, vapid, nothing pop music. Or maybe heard some corporate-ass stock music, that works too. And on a technical level, it's fine, maybe even quality, the notes are in key and it has the structure down right and maybe there's a little flourish in the background of the chorus if you're lucky, but you probably aren't. And it's fine, but you just feel nothing listening to it, because like. Who gives a ♥♥♥♥? Like, seriously. Who gives a ♥♥♥♥ about this stuff? The listeners? Does it have fans or people who've stockholmed themselves into subjecting themselves to this out of habit? Did the singers, the composers? It all feels written by committee, like a bunch of guys in suits got together to pay a band that's lost their drive to make a song that's tolerable to as many people as possible. And nobody gives a ♥♥♥♥. And that's, fine, I guess? Not giving a ♥♥♥♥ is something society really likes. Kids, kids give a ♥♥♥♥. They've got a lot of ♥♥♥♥♥ to give, it's a big scary world and they feel everything about it. But growing up, a lot of people say that growing up means you gotta stop giving a ♥♥♥♥. That you gotta settle for okay. Find a job that doesn't make you too miserable. Get married. Have kids. Retire. Die. Live the life you're supposed to, just don't give too much of a ♥♥♥♥ about it. Don't be upset when your dreams don't come to pass. Be realistic. To review UNBEATABLE, all caps or no caps, I need to continue with a second hypothetical. Have you ever gone and listened to a local band? They almost certainly give a ♥♥♥♥. They play and sing with a drive and passion you've NEVER heard from Grocery Store Pop Music, they play with crappy amps and their voice cracks and there's like four choruses even if that pisses you off because ♥♥♥♥ you they wanted that. They give a ♥♥♥♥! And on a technical level, it's not perfect. Sometimes it might even be bad. But ♥♥♥♥, you feel alive! Because they care, they care so ♥♥♥♥♥♥♥ much, it makes YOU care! You give a ♥♥♥♥ about this music! In a world where everything is training you to not give a ♥♥♥♥, giving a ♥♥♥♥ means something. They don't want you to give a ♥♥♥♥ about your clothes, about your job, about how you're treated, about the government, about anything you actually believe in. Giving a ♥♥♥♥ means caring, about all of this. And giving a ♥♥♥♥ means being loud. I have played a lot of good games, a lot of deep games, a lot of games so full of love and care that it bleeds out from every little metaphorical pore, but UNBEATABLE is one of very few games I've experienced that feels the need to go out and scream that it GIVES A ♥♥♥♥. It has to give a ♥♥♥♥ LOUD. Everyone's gotta know it. And in ways, it falters. It has more flaws than games I care less about. Assets clipping, some wonky writing, that one chart that's an insane difficulty spike that pissed me off REALLY bad, that one ♥♥♥♥♥♥♥ platforming side-challenge where the camera and ♥♥♥♥♥♥ collision make it just abhorrent but I wanted to commit, point is there are flaws. A lot of them. But, much like a local band, that's okay. Because Unbeatable GIVES A ♥♥♥♥. Even if that giving a ♥♥♥♥ kind of speaks to a teenage and young adult self-righteous directionless rage, it CARES on a level that's so lost in so many places. It is a game that does not compromise its vision just to be more broadly appealing, because that would mean not giving a ♥♥♥♥, and they REALLY give a ♥♥♥♥. You know, when you explain an idea, the idea fundamentally changes. I've spent my life not really giving a ♥♥♥♥. About how I dress, how I live, how much time I spend exhausted in bed, about what I eat, about what I do with my time, about how living like this is slowly ♥♥♥♥♥♥♥ killing me. But UNBEATABLE is inspiring, in just how loud and brash it is. How much it gives a ♥♥♥♥. It makes me want to give a ♥♥♥♥. It makes me want to write a long and dumb review that makes the phrase "give a ♥♥♥♥" stop sounding like words, for one, but it also makes me want to try. To wear bright and cool clothes because ♥♥♥♥ anyone who thinks I should just blend in. It makes me want to make music again, make weirder music, louder music. It makes me want to go see local bands, go make more friends, UNBEATABLE makes me want to CARE. Because it cares just so ♥♥♥♥♥♥♥ much that it's infectious, that it makes me want to live. I think once you've played UNBEATABLE, you'll either really like it or you really won't. But either way, you'll give a ♥♥♥♥, and I think that's all it really wants. And the idea changes you in return.
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Every market we collect.
Reviews, worldwide (the counter carries no country): 30.14/day in the week to Jul 30 → 26.57/day in the week after.
For scale, across Steam · Top Sellers · Brazil over the last 30 days: the 24 chart moves that followed a price cut of more than 20% went a median of 9 places towards #1, and the 2,404 moves with no price cut behind them went 2 away. One store, one chart, one country — it is the only place we have enough observations to say even that.
Prices outside the United States have been collected since 6 August 2026 and chart positions since 19 July 2026, so a cut older than that has no market to compare and a market that joined later has no history yet. Nothing here is converted between currencies.
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Japanese, Simplified Chinese
| $27.99 |
| 82ratings |
| 84% |
| — |
| not modelled |
Matched by title — a reused name can pair the wrong games. * is a critic aggregate. Prices and positions are each store's United States storefront; Epic charts worldwide. Audience and Score too, except Steam's, which is worldwide.
Hours played at review time, across 1.2K reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
How do I even talk about UNBEATABLE? The game as a whole is literally a masterpiece; the music, gameplay, story, voice acting, animation, and all the extra touches that weren't strictly necessary but are incredible nonetheless, made for a truly once-in-a-lifetime experience. It has the power to change you, transform you, and mold you into a better person, all while being, at its core, a silly story about a world where music is illegal and you commit crimes. The art direction in every detail is impeccable; you can truly *feel* everything around you, the passion poured into the game, and all the emotions conveyed through a simple landscape, an animation, or a song that plays throughout the game, and it is IMPOSSIBLE not to feel SOMETHING while listening to it. I wanted to put into words everything this game made me feel, emotions I’d forgotten existed, and how it inspired me to keep moving forward no matter what. But doing so would be redundant and merely a personal account, like any work of art, it is wide open to interpretation, and it certainly offers plenty of depth in that regard. I hope anyone ready for the adventure gives it a try, experiences it, and sees it through to the end—managing to feel at least 1% of what this game has to offer. It is a story about losing your way, this is not a love story. Beat is UNBEATABLE, You are UNBEATABLE
I really wanted to love this game, like i really did but just couldn't bring myself to ignore the problems with some of the fundamental mechanics of the game. To start i would like to preface that i have experience in both story based games and rhythm games, i 100% games like SOMA, Celeste, Insomniac Spider-Man, TitanFall2. I have enjoyed these games for their unique stories that make you feel for the characters that you portray. On top of that i have also played rhythm games like Bullets Per Minute, Beat Saber, Clone Hero, Osu and Friday Night Funkin. I enjoy the complexity that each game brings to the table and while some are much more simple then others, i feel that the simplicity invites more fast pace and "rhythm" oriented gameplay. So now that's out of the way i can say that this game is the biggest "potential Man" game I've ever seen. Its got lovely visuals and great original music that i ♥♥♥♥ with hard, not to mention the collab DLC with my favorite artist Jamie Paige, i was going into this game thinking the world since an artist like her had decided not only to shout it out but to actively add to it in a way i wish more indie artists would. But this game has fundamental problems with the story as a whole and the pacing for a player to follow. The first 30 minutes of the game feels like nothing, your abruptly introduced to the some random people that you don't see again (for as long as i played). Then your shown another pair of characters, one being the character you play as and the other who feels like an excuse to force the plot to progress. Without this smirky little ♥♥♥♥ "Quaver" none of the story happens and even worse then that she just knows ♥♥♥♥ that someone like her wouldn't or shouldn't know. I get that its a joke that the story pulls on and uses to its benefit? I say that because half the time she's just a little kid who would try to blindly fly into FORT ♥♥♥♥♥♥ NOXS, but only gets caught because they "changed the layout". and the other half of the time she's this magic genius who can learn to rewire a bomb in prison. The inconsistent use of the characters isn't just her the main character, "Beat" feels hollow. If that was by design then congrats, but i can guarantee it wasn't. The "story" feels lose with her, she's supposed to be a heroine who has lost the love for music and this is how she reignites that fire but, i never see the characteristics that beset someone who would be scared or tired or sick of a passion that they have refined for years that someone like her would feel. Then theirs the actual gameplay, a lot of the decisions you make, don't ♥♥♥♥♥♥♥ matter. The idea in game design by offering other interactable for the play is to reward the time they spend by using their time, resources or by giving them a challenge is to then in exchange give them a piece of gear or maybe some small story points. Unfortunately since this game already has a mismanaged pacing with its characters, the gameplay suffers the same. YOU DONT PLAY THE RYHTM GAME FOR 30 MINUTES OF THE GAME ABOUT RYTHM. Do you know how frustrating and annoying it is to hold your hopes up for a game when your getting hit with "quirky" flavor text and dry millennial humor that can barely be conceived as comedy. The first 20 minutes of a game is the most important time for any Indie or triple-A studio to nail and deliver some exactment and draw the player in. This game doesn't do that and flounders for 2 hours and then actually gets good. The prison section of this game is the single most boring and mundane part, all of the mini games you play don't matter whether you do them correctly and have zero impact on the plot unless they hit you with a failure screen. For a game that has a lot to say and some very passionate people behind it, i sadly cannot recommend it, as the story is gimmicky and quirky, never really says anything pertinent or understandable to the player and lacks any grabbing features. I Could keep going as there are serious bugs and design flaws behind the game and while it also doesn't do a good job teaching you its extremely boring rhythm mechanics. Its still got me to play it. If you like 2 hours of bad story boarding and messy game design then buy this. I wish i didn't.
I Tire of the bitter part of the chocolate, but at least it was chocolate.
Although I'm someone who's not partial to rhythm games, I fully beat this game and if I could forget everything to go back through it for the first time again I would. Amazing story, great music, beautiful animation, and wonderful characters are just a few of the things that make this game truly worth trying even if your not a rhythm game player.
上一次玩到这种除了美术和音乐很不错外，其他部分尤其是主玩法部分是一坨的游戏还是终焉莉莉。首先最值得吐槽的就是音游部分，我一个喵斯大多11银s的牢玩家，我玩这个游戏的音游部分跟吃屎了一样难受，上下音符没个颜色区分就算了，最恶心的是最基础的游戏画面都没做好，打歌时的流畅度太差了，音符不是像喵斯那样平滑地出现，而是跟尼玛掉帧一样一顿一顿地出现，完全没法正常读谱，判定也是构式，手感巨烂的同时又加了一堆莫名其妙的特殊音符，这个逼长条尾判是尼玛谁想出来的主意？ 再然后就是正片剧情部分，最值得吐槽的就是引导太差了，一开始就直接给你进剧情模式，音游模式必须退到主菜单才能玩，制作组也不想想那些首先想体验音游模式的人的感受，你好歹也提示一下怎么进音游模式吧。以及非常逆天的为什么键位设置这种基础设置剧情模式不能设置呢？为什么只放在音游模式呢？中途玩音游想改个习惯键位还改不了。正式进入剧情后的操作引导也是莫名其妙的，像跳跃这种我玩到现在只用过一次的东西教了有什么用，后面各种小游戏环节包括音游环节就不教你该怎么操作了，一定要摸索一会儿才行。中途过剧情跑图的引导也是，把正路设置得明显一点很难吗？设置一堆空气墙是何意味，致敬黑神话吗？ 其次就是剧情，这游戏剧情我玩到现在也是云里雾里的，推动剧情纯靠生硬的场景转换，完全没有具体的事件逻辑，中途有好几次场景转换过于突兀，导致剧情衔接跟个构式一样，一点也不连贯。人物塑造也是约等于没有，就是介绍谁是谁就完事儿了。还有很多其他的小问题我懒得说了，我只能说就算后面的剧情再怎么好也掩盖不了这开头的构式体验了。
UNBEATABLE is something new. Something more. Something beautiful. I know it won't be the last.
拖了一段時間總算是破了這款遊戲，最主要的有音樂有劇情，就像遊戲裡面說的，這(不)是一個關於愛的故事，大家能在這遊戲上受到什麼感動什麼啟發，也算是有所回報了 p.s 我一看到更新終於有中文翻譯後就從頭玩了一遍，不過翻譯真的有點爛爛的(完美免費??)，這遊戲有不少雙關，推薦有能力的直接看英文比較好
It's good. It's really, really good.
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