The Last of Us™ Part II Remastered

ну,лично мне эта игра не очень то уж и зашла,в отличие от первой части. я сейчас не говорю про повесточку и все в этом духе. я говорю про то, что вместо отношений элли с диной, могли бы больше времени уделить взаимоотношениям элли с джоэлом. к сожалению такого я не дождалась...так же в игре максимально плохо показано птср элли. давайте разберемся-а откуда оно вообще взялось?ну,из-за смерти джоэла,чувства вины и еще большого кол-ва травм. тоесть, ее птср довольно оправданно звучит, но показано максимально плохо.чтобы понять что происходит с этой блядской элли нужно облазить много других форумов... и то ,информация не оригинальная, а просто от крутых теоретиков, которые пытаются высосать из пальца почему ее птср хорошо проявляется в игре. ставлю игре примерно 7/10.в отличие от первой части появилось много механик,2 гг,интересная(как по мне) арка эбби и левы, а так же серафиты впринципе. мне они оч нравятся (не судите строго,я только пытаюсь выражать свое мнение,любой критике я буду рада)

Bello

Sequels are supposed to give you more of what you loved. This one looked at what you loved and decided to make you question why you loved it. That is a much braver thing to do and it is exactly why this works as a sequel in a way most sequels never even attempt. I need to talk about Part I for a second before I get into this, because you cannot evaluate this game as a sequel without being honest about what it inherited. The ending of the first game was a lie. Joel lied to Ellie about what happened in that hospital, and the entire emotional architecture of Part I was built around a found family surviving in spite of a broken world. It was warm, in its own brutal way. It let you love Joel even though you knew, somewhere underneath, that what he did was monstrous. Part II Remastered, or rather the game underneath the remaster, refuses to let you keep living inside that comfortable contradiction. It picks up that lie and it makes you watch what a lie like that actually costs, over years, across two continents, through the eyes of the person who told it and the eyes of the person whose life it destroyed to protect it. That is not a cash grab. That is a studio taking their own story completely seriously and following its logic all the way to where it actually leads, even knowing a huge portion of the audience would hate them for it. The decision to split the game between Ellie and Abby is the single boldest structural choice a sequel has made in this medium and it is also the exact right choice for what this story needed to be. You spend the first half hating Abby with your entire body. The game wants you to. It is not an accident that her side of the story starts only after it has made sure you are furious. And then it hands you her perspective anyway, her father, her friends, her own version of loss that mirrors Ellie's so precisely that by the midpoint you cannot fully hold onto the simple hatred you walked in with. That refusal to let you keep a clean enemy is the whole thesis of the game. Revenge feels righteous exactly until you are forced to see the person on the other end of it as a full human being, and once that happens it stops feeling righteous and starts feeling like exactly what it is, which is a cycle that only ends when someone decides to stop feeding it. As a direct continuation of Part I's themes this is about as good as it gets. Joel's death early in the game is not a shock for its own sake. It is the story refusing to let violence stay abstract or comfortable the way it sometimes did in the first game. It happens fast, it happens for reasons that make sense within Abby's own arc of loss, and it detonates the rest of the game's emotional structure in exactly the way it needs to. Ellie's descent afterward, the way her relationship with Dina and Jesse and JJ gets quietly poisoned by what she cannot let go of, the way the game slowly shows you a version of Ellie who is becoming the thing that made her lose everything in the first place, is a genuinely mature and difficult continuation of who she was in the first game. This is not fan service. This is a sequel that trusted its characters enough to let them grow into something uglier and sadder rather than just giving you more of what already worked. The gameplay evolution supports all of this without ever feeling like padding. Combat is more physical, more desperate, animals and dogs adding a genuinely upsetting new wrinkle to stealth encounters when you realize you are being tracked by something that is loyal to the person hunting you. The environments in Seattle are vastly more open than anything in the first game, giving you real routes and real choices in how you approach a fight, and the moment to moment tension of scrounging supplies while something is actively hunting you never lets up across the entire runtime. Now, the remaster itself. No Return is a genuinely excellent addition, a roguelike survival mode that strings together randomized encounters and boss fights across the game's best combat arenas, and it gives you a reason to keep engaging with the mechanical side of this game long after the story has finished wrecking you emotionally. The Lost Levels are a fascinating look at three cut sections of development with full commentary explaining why they did not make it into the final game, and hearing the team talk honestly about their own creative decisions adds a layer of appreciation for how deliberate every choice in this story actually was. Guitar Free Play lets you sit with Ellie's guitar and just play, which sounds like a small thing until you remember what that guitar means by the end of the story and how differently that simple sandbox mode hits once you know. The PC version on top of all that is genuinely well built, ultrawide support, DLSS, unlocked framerates, full remapping, the kind of technical care that Nixxes and Iron Galaxy have become reliably good at. People are still fighting about whether this is a good sequel years later, and I think that fight itself is proof of how completely this game succeeded at what it set out to do. A sequel that just gave everyone more of Joel and Ellie being warm with each other would have been comfortable and forgettable. This one made an enormous number of people furious, made an enormous number of people cry, and is still being argued about at length, which means it actually said something and actually cost something to make. That is what a real sequel to a story about the price of a lie should do. It should not be comfortable. It should make the cost feel real. RECOMMENDED.

Beaucoup de zombies dans une ville et j'aime bien les armes aussi

The Last of Us I i II to prawdziwe arcydzieło i jedna z najlepszych gier, w jakie miałem okazję zagrać. Od pierwszych minut zachwyca doskonale poprowadzoną fabułą, która jest pełna emocji, napięcia i momentów skłaniających do refleksji. To historia o przetrwaniu w brutalnym świecie po pandemii, ale przede wszystkim opowieść o relacjach międzyludzkich, miłości, stracie, poświęceniu i nadziei. Dla mnie bez dwóch zdań 10\10. Arcydzieło i tytuł, który każdy miłośnik gier powinien przynajmniej raz przeżyć ❤❤❤❤❤❤

Excellent en tout point

Хорошая игра