The Door

Игра 'The Door' — это настоящий эксперимент с восприятием, который заставляет задуматься о реальности и собственных убеждениях. С самого начала вас погружают в атмосферу таинственности и неопределенности, где каждая деталь имеет значение. Графика, хоть и минималистична, обладает гипнотизирующим эффектом, а звуковое сопровождение умело нагнетает напряжение, заставляя ваше сердце биться быстрее. Проходя через череду головоломок и сюжетных поворотов, вы всё глубже погружаетесь в историю, пытаясь разгадать её центральную загадку. Игра мастерски играет на ожиданиях, постоянно подкидывая новые вопросы и заставляя переосмысливать уже увиденное. Это не та игра, которую можно пройти, бездумно кликая по экрану. Она требует внимания, наблюдательности и готовности к неожиданным открытиям. 'The Door' оставляет после себя долгое послевкусие, побуждая к размышлениям и обсуждениям. Это опыт, который точно запомнится.

A very short and overly simplistic game filled with nonsense design choices. First of all: The game is French, but you can only enable English subtitles. No proper language options. For some bizarre reason, moving forward is bound to the Z key by default. The first few minutes look interesting and atmospheric, but after that nothing makes logical sense anymore. The entire game basically consists of three parts: A) Two small rooms where you interact with lamps and have to find a completely illogical hidden path. B) A timed section where you repeatedly choose between two doors, with nothing but vague philosophical texts as feedback. C) A sudden platforming section that feels unfair, frustrating, and completely out of place and is likely where most players quit. That’s it. No payoff, no real progression, no satisfying conclusion. Once the initial atmosphere wears off, there is nothing of substance left. Save yourself the time and skip this one.

The Door is a short psychological adventure that I found more interesting the more I thought about what its strange environments were trying to represent. The basic idea is that every door leads into another part of my own mind, with the game using choices, puzzles and symbolic spaces to explore ideas such as solitude, failure and resilience. I liked the fact that the game is more interested in making me reflect than throwing a large amount of conventional gameplay at me. The puzzles are built around interaction and lighting, which gives the experience a slightly abstract feeling. I enjoyed figuring out what each strange space wanted me to notice rather than simply searching for keys and switches. The puzzles are not incredibly difficult, but they work well because they support the themes rather than distracting from them. The choice system is also important. Each door presents some kind of dilemma, and I liked having to think about what my decisions meant within the context of the story. The game does not turn these choices into a huge branching adventure, but they help reinforce the feeling that I am exploring different parts of myself. The atmosphere is easily the strongest part. The contrast between light and darkness gives the environments a dreamlike quality, while the narration and sound design make the whole experience feel intimate and slightly uncomfortable. I liked how the game can turn a simple room into something that feels symbolic without needing a huge amount of visual detail. My biggest issue is the lack of depth. This is a deliberately short experience, and the limited puzzle variety means I was finished just as I was becoming comfortable with its ideas. I also think some of the symbolism could have been developed further because there are moments where the game introduces an interesting concept and then moves on before I can fully explore it. Even so, I appreciate the restraint. The Door never tries to become a huge adventure, and its short format keeps the central themes focused. I found it more memorable because it stays concentrated on its psychological ideas instead of adding combat, progression systems or unnecessary distractions. Overall, The Door is a compact narrative puzzle game with an interesting psychological concept and a strong atmosphere. I enjoyed the symbolic puzzles, strange environments and decisions, even though I wanted more depth and variety. It is brief, but it gives me enough to think about after the ending, which is exactly what this kind of experience should do. Rating: 6.6/10

Le jeu n'a aucun intérêt. Très court, mais c'est mieux. Il est pas trop moche, mais quand vous voyez les images du jeu plus haut, on ne peut pas se dire qu'il est si court, et qu'il n'y a rien du tout à faire. On perd 10 minutes de notre temps. A la fin, écran noir, on ne sait pas si il y a une suite ou quoi que ce soit. J'était en train de manger, j'ai fait tout mon repas avec la musique en attendant que l'écran ne soit plus noir. Bon ben c'est noir de chez noir. Inutile de s'attarder sur cette daube. Jouez à quelque chose d'autre! PS : Je n'ai pas compris pourquoi le jeu fait 2Go? il est tellement VIDE ! (j'ai regardé des vidéos, il est vraiment aussi court qu'il en a l'air, 2Go bordel, je suis choqué. Je connais des jeux qui durent 1000 fois plus longtemps qui prennent moitié moins de place)

Игра абсолютно неиграбельна, мало того что якобы добавленный перевод на английский не полноценный, так и ошибки с вылетом на каждом шагу, просто невозможно продолжать играть

me souviens plus

ну и как лвл с двумя дверьми пройти

перевод дырявый, оптимизация слабая(хотя там особо то и нечего нет) темно очень темно, куда прыгать на платформах? настройка графики ничего не решает, возможно оно и нормально идет но это для крутых пк...хз чо там такого, похоже просто разработчик такой...