SHINONOME ABYSS The Maiden Exorcist

I don't know exactly what genre this game belongs to, but to me it's like a Souls-like strategy puzzle game with roguelike elements. You play as a Japanese shrine maiden (miko) exploring places invaded by yokai and sealed behind supernatural barriers. Unlike typical fantasy games, you're not a mage or wizard and don't use magic spells to fight monsters. Instead, you rely on tools, weapons, seals, talismans, and various items with unique interactions to survive, purify the yokai, and escape. The gameplay revolves around entering rooms one by one in houses, storage areas, estates, and other locations. Every door hides something, but you can't see what's inside. Instead, you have to listen carefully through your speakers or microphone for sounds coming from the next room. It could be a yokai, a trap, or simply a safe room containing useful items. If you read the situation correctly, you can use tools, traps, or the environment to deal with whatever appears. You can even shout to lure enemies or open the door and fight them head-on. The choice is yours. The gameplay sounds simple, but it's actually very punishing. I died many times because of small mistakes, bad planning, miscalculations, poor resource management, or wasting items too early. Each map has relatively long runs, and if you die, you usually have to start over depending on the game mode. In some modes, every death reshuffles the environment, room layouts, and item placements through procedural generation, which is why the game carries roguelike tags. One of my favorite things about this game is its gore-heavy horror aesthetic. The grotesque monster designs, violent deaths, and excessive bloodshed give it a strong horror identity. What makes it even more memorable is the contrast: despite the gruesome visuals, you play as a seemingly fragile yet brave shrine maiden whose sweet and adorable voice stands in sharp opposition to the game's disturbing atmosphere. I still haven't finished the main story yet. In story mode, the map stays mostly the same, so once you memorize the layout and plan ahead, it's much easier to clear. Since I'm already used to games with awkward layouts, uncomfortable controls, or clunky button designs, I'm not sure if this would count as a downside for this game. Personally, I think it's fine. In some situations, it even adds to the challenge when dealing with monsters. 10/10 Must play

[h1][b]《深 四目朝生-阴阳之巫女-》：静动之辩，以声为眼，化静为刃[/b][/h1] 纸门微微鼓起，空气被无形之物压出缝隙，细碎模糊的声响从隔壁房间渗出，在走廊里拖出不安的停顿——《深 四目朝生-阴阳之巫女-》正是这样一款围绕探索、判断与资源管理展开的“思考型”rogue游戏，要求玩家在固定或者不断变化的迷宫中，依靠有限道具与机关寻找生路，在天黑之前完成脱出。 https://steamcommunity.com/sharedfiles/filedetails/?id=3693410516 本作围绕巫女“四乃”展开，她追寻着行踪不明的阴阳师兄长，而对方所经之地，往往已被妖魔占据。玩家所进入的鬼屋，在“固定结构”与“随机生成”之间形成了两种不同的体验：以“祓”为代表的剧情流程采用固定地图，在初次推进时更像是新手引导，注重探索与规则的理解，随着熟悉程度提升，解法逐渐清晰，甚至可以通过背板降低风险； “禊”与“行”则转向完全随机的迷宫玩法，此时玩家必须依靠当下获取的信息完成判断，在不确定性中维持生存。 在这样的设计下，需要玩家在进入房间前反复观察分辨声音，并且判断现有资源能否支撑下一步行动。推开一扇门之前，往往只能停在原地，仔细分辨隔壁房间传来的声音。缓慢拖行的脚步或者带有攻击性的低吼就代表下个房间可能会一只现在就可以杀掉的小妖怪，也可能是目前几乎无解的武士鬼。一旦判断失误，在缺乏对应道具或者空手的情况下，局势几乎没有回旋余地，只能被迫与敌人周旋，如果运气不好遇不到解法就会直接暴毙。 围绕这一核心体验，本作设计出“祓”“禊”“行”三种模式。“祓”作为主线剧情更接近新手流程，关卡结构相对固定，在推进过程中，玩家会逐步接触到不同道具与妖魔，并通过四乃的反应理解其用途，结合少量的文字提示，很多规则并没有被明确告知，需要在反复试错中被逐渐掌握。 进入“禊”与“行”之后，节奏收紧。此时的迷宫是随机生成，需要抛开原本积累的经验，重新建立判断。此时更需要注重资源管理，在重复的操作中试探。倾听声音、确认安全、寻找道具，然后开门。本模式在初期还算紧张，长时间游玩后，尤其是无尽模式后期，体验感会趋于单一。 https://steamcommunity.com/sharedfiles/filedetails/?id=3693410285 具体到玩法层面，直接交锋往往风险极高，更有效的方式是借助环境完成处理，通过声音引导敌人靠近，将其引入火堆或提前布设好的陷阱，在资源消耗较低的情况下完成击杀。如果携带食物，还可以把食物放在地上，一些妖魔会优先去觅食，改变其原有的行动逻辑；具备范围攻击能力的敌人，在特定情况下也会对其他实体产生影响，此时机制叠加，单一解法往往会行不通，必须根据实际情况不断调整策略。 长时间的谨慎试探之后，《深》新增的“变身”机制就开始崭露头角。当四乃陷入危机，另一人格的出现会短暂打破原有节奏，提供更强的行动能力与处理空间，原本被动的局势获得重新操作的空间。“变身”机制缓解了有些高压情况，让部分极端局面可能翻盘。 与前作《四目朝生》相比，《深》在内容上增加大量妖魔、道具与迷宫，使组合变化更加丰富，大型BOSS的加入，也让流程推进具备更明确的目标。本作的整体节奏经过调整之后，上手过程更加顺畅，玩家能够更快进入状态。在深入体验之后，可以感受到两部作品在基础设定上的紧密联系，探索方面一脉相承，主要是在节奏上有所不同。 目前本作也存在着一些问题。在体验方面，随机模式中，如果迟迟无法获得关键道具或地图信息，探索时间会被不断拉长，方向感削弱，最终变成消耗耐心的失败。此外，每次关卡结束进入结算阶段需要联网，需要等很久才进入排行榜，这点是目前需要修正的。 https://steamcommunity.com/sharedfiles/filedetails/?id=3693410117 总体来看，《深》通过严格限制资源获取与行动时机，构建出一种持续紧张的探索体验。随着理解和经验的不断加深，最初令人不安的未知，将逐渐转化为可以被利用的规则，在反复试探中建立判断能力与行动节奏。 [code]欢迎关注[url=https://store.steampowered.com/curator/45467420/]琴音社[/url] 让我们听见游戏的每一个音符♪~[/code]

意外的有趣

这游戏有病吧，好玩是好玩。甚至没有关闭联网选项，每次死活着过关都要搁那转半天上传数据

不能改初始反人类的键位，结算要上传一个无法上传的分数。每次都要强制等待几分钟到弹出无法连接才行。 （更新后可以关闭上传了）

Jogo incrível; A arte do jogo é Muito boa(um dos motivos de eu querer comprar o game); a Gameplay é muito maneira, com o tempo que vai entendendo melhor o jogo vai ficando ainda mais divertido, varias maneiras de tentar passar as fases, e vários itens diferentes liberados com o tempo, monstros bastante únicos também, tendo formas diferentes de matar cada um deles(nem todos são "inimigos" alias kk), tem o modo de jogo por fases que são fases fixas que você vai passar ganhando uma nota no final(como se fosse um modo historia), e tem um outro modo que são fases com geração aleatória(mais como roguelike msm, completando vc vai liberando outras fases pra ir meio que subindo de "rank"), tem um terceiro modo que é como o ultimo, mas até onde entendi é um modo infinito, que vc vai subindo os andares até morrer, é um dos mais divertidos, da pra liberar bastante coisa nesse tambem; o jogo não é tão caro e pra mim compensou muito, é um jogo muito divertido pra ficar horas nele!! obs: o único problema do jogo(que pra mim não faz diferença) é o modo "online" bugado que pode ser desativado nas configurações caso fique causando problemas como ocorreu comigo,(pode ser que arrumem isso nas proximas atualização, mas para deixar de aviso), o modo online até onde sei é apenas classificações de pontuação global, então nada que interfira realmente no jogo; Dito isso, Muito Bom, Vale a compra!!!

阿阿阿阿阿阿阿，这游戏太折磨人了，有受虐倾向的必玩。

玩法類似風來人的地牢探索,但是需要點記憶 & 策略+背包管理的遊戲, 場景&妖怪滿滿的和風+陰陽師巫女, 對這類題材有興趣的可以入手.