Roseblight

Loved every minute of it. I had sat for two days playing it straight! I might even stream it just to have fun with the possible voice acting here! Though I say the game is tough at points but hey! No pain no game!

I'm assuming this is exactly what being a florist is like.

Honestly, this game reminds me why I wish there was a mixed option when it comes to games. There is some good and even great stuff mixed in with a bunch of mediocre and even outright bad moments. I feel more disappointed by this game and its potential being wasted than I do positive about what it did right. And that is the best way I can describe my feelings on the game, but I'll summarize my points as best I can. HEAVY SPOILERS AHEAD! 1. The game looks pretty good, except for when it comes to the random filler npcs. The pixel art is fun and has a enjoyable personality to it, but the random npcs all having the same general body types as well as constant 4th wall breaking humor really takes you out of the experience, to the point that it feels like it was made for youtubers in mind rather than players who want to actually get invested in the world (There is literally a ligma balls joke near the end of the game and a friday night funkin bit not too far back) which leads into my second point. 2. The writing is really weird and kinda frustrating with a two in one great character with a ton of wasted potential with a side of disappointment. Blite, or Blayk and Nite felt like they had the most potential of anything from this game. A kind hearted Florist with Split Personality Disorder (Or Dissociative Identity Disorder) who has a darker but still caring alter who wants the best for their sister after having to defend them against their abusive parents, killing them in self defense. And they are Trans! A goldmine of potential in a single character that initially seems to be focused on a great deal, and its compelling! If the whole game was just about Blayk and Nite growing closer together and learning to be at peace with each other I would have been happy! But... then the second half of the game starts and it feels like they get sidelined and wasted pretty hard for what amounts to significantly less interesting characters, that being Zyra (Blite's sister) and Marmot.One feels like they had potential and was underutilized and the other fulfilled their role fine. Marmot is the latter and Zyra... she felt very disappointing considering how much of a role she should have played in Blite's whole character, but outside of delivering some exposition about them and having a couple of alright interactions (and her role in the bad finale) she feels like she could have been cut out as a side character that you never see. She doesn't add alot to the story dynamics that Blayk and Nite didn't already do better by themselves, to the point that it feels like they got dumber so she'd serve more of a purpose. And that leads into... 3. The Finale. Holy character assassination and plot derailment. So most of the first half of the game is setting up Blayk and Nite and their whole dynamic, as I stated before, and it seems like it'll be a story of growth for the both of them, maturing and coming to terms with each other instead of treating each other like a monster. And that sorta happens... just with the middle and ending rushed to hell and back. We don't get to focus anywhere near as much after we get the main trio together (There is a optional squadmate but i missed them and their lore implications, which may or may not impact my perspective.) and its a shame, because it means we get very little in terms of setup for the heel turn at the end of the game with Blite. The game seemed to actively pushing them to grow as people but suddenly, they decide to join Marmot in the end and destroy the world. Because of "Abusive parents, ♥♥♥♥♥♥ world leaders, retaliating nature..." which feels completely out of character for them as they never brought it up much before. And then they turn into a elder god or something, IDK the finer details as my investment tanked, though the eldritch angle was set up well. Oh also I forgot to mention that you fight Blite as Zyra and also learn the parent murder and potential abuse literally right at the end of the game when it matters the least to the characters. So that's cool, definitely not a massive waste of what could have made a excellent dramatic character discussion instead of being crammed into the final five mins of the game. I could go on, but I'm trying to keep this as brief as I can help it. 4. The gameplay is very mediocre. I played on the hardest difficulty I was allowed to on my first time. The game did not feel hard in a good way, but in a "You need to grind money for usable equipment in order not to get bored" way. Maybe that sabotaged it, idk. Most of the abilities were not very useful, mostly because the best strategy was using a auto clicker to keep most enemies and quite a few bosses completely stunlocked and unable to break out. Sure its slow and the damage gives diminishing returns, but after grinding mindlessly for far too long and with minimal healing items because the raven vendor has randomized stock so you can never just get what you want, I didn't feel like losing all of my items and money because they were able to chunk my health down and I was unable to recover most of it because of all the aforementioned factors. Overall, I still can't bring myself to hate this game, but damn I wish it was more refined. I do like alot of the concepts for the game, but if you are interested in this game despite all I've had to say, then pick it up when its on sale. Its dirt cheap, and the dev does have talent.

Awesome!

Disclaimer: My scores/reviews are almost always based on having bought the game at close to the "lowest historical price" on steam at time of purchase. Quick score: 4/5 (Will rewrite review and update score once I finish the game) Notes: Pretty interesting game. Im not finished yet, but I feel compelled to put an early review because so far I have enjoyed it and Im definitely interested in seeing where the gameplay and story goes. Based on what I've played so far this game should definitely have more attention and positive reviews. Ill update whenever I get around to finishing it. -Gameplay is simple but enjoyable -Story, dialogue, and characters are interesting -Visually the game is very interesting/good and fun to look at and explore By far if I had 1 major complaint so far it's that that soundtrack is not all that compelling and most of the time there is no music at all, which is very strange for a game going for this style. It's like if Undertale didn't have a soundtrack. Personally wasn't a fan of undertale because of the random encounter turn based combat, but there's no denying that the OST is an extremely important part of why that game is considered so great.

ROSEBLIGHT

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Roseblight is an atmospheric indie action-RPG that leans heavily into mood, symbolism, and slow-burn discovery rather than spectacle or instant gratification. Developed and published by AploveStudio, the game presents a bleak and introspective journey through a hostile world shaped by catastrophe, asking players to piece together its meaning through exploration, combat, and quiet narrative moments. From the outset, Roseblight makes it clear that it is less concerned with power fantasy and more interested in vulnerability, survival, and the emotional weight of its setting. The story is set on the desolate planet of Ahokau, a world scarred by a mysterious meteor impact that has twisted both the land and its inhabitants. You take on the role of an unlikely protagonist—a gardener whose life is irrevocably altered by the unfolding disaster. Rather than positioning the hero as a destined savior, the game frames the journey as deeply personal, grounded in loss, confusion, and gradual understanding. Narrative details are delivered sparingly through environmental storytelling, fragmented dialogue, and encounters with other survivors, encouraging players to actively interpret what they see rather than passively consume exposition. Exploration plays a central role in shaping the experience. Ahokau is portrayed as vast, lonely, and unforgiving, with environments that feel intentionally empty yet heavy with implication. Moving through forests, ruins, and open wastelands, players uncover traces of past civilizations and hints at the forces that led to the world’s downfall. The game rewards curiosity, often hiding valuable resources, lore fragments, or subtle story beats off the beaten path. This emphasis on observation reinforces the theme that understanding the world is just as important as surviving in it. Combat in Roseblight is real-time and methodical, blending action with light strategic considerations. Enemies range from corrupted wildlife to more unsettling, otherworldly threats, each requiring attention to positioning and timing rather than reckless aggression. The combat system is not about flashy combos but about managing space, reacting to enemy behavior, and making deliberate choices under pressure. While the mechanics can feel rough at times, they complement the game’s tone by making every encounter feel risky and consequential. Progression is tied to equipment, abilities, and careful resource management. Loot gained through exploration and combat can be used to craft or improve gear, allowing players to gradually adapt their playstyle. New skills and hidden powers unlock over time, offering subtle but meaningful growth rather than dramatic spikes in strength. This slow progression reinforces the game’s grounded feel, emphasizing endurance and adaptation rather than domination. One of Roseblight’s strongest elements is its atmosphere. Visually, the game adopts a restrained and often monochromatic palette that reinforces the bleakness of Ahokau. Environments feel oppressive and melancholic, with minimal visual clutter drawing attention to key details and silhouettes. The soundtrack and ambient sound design further enhance this mood, favoring subdued, haunting tones that linger in the background rather than commanding attention. Together, these elements create a cohesive sense of isolation that permeates every aspect of the experience. Narrative choice exists in subtle ways, primarily through how players interact with NPCs and the order in which they uncover information. Conversations reveal different perspectives on the disaster and the world’s history, and choosing to help—or ignore—others can influence both narrative context and practical outcomes. These decisions are rarely framed as clear moral choices, instead reflecting the ambiguity of survival in a broken world. This understated approach aligns well with the game’s themes, even if it leaves some players wanting more explicit consequences. Despite its ambition, Roseblight is not without flaws. Its pacing can feel uneven, particularly when exploration stretches long without significant mechanical or narrative payoff. Some systems lack polish, and the learning curve may feel unclear at times, especially for players accustomed to more streamlined RPG experiences. These rough edges can occasionally break immersion, reminding players of the game’s indie scale and limited resources. Reception to the game reflects this duality. Many players appreciate Roseblight for its atmosphere, emotional restraint, and willingness to tell a quieter, more introspective story. Others are less forgiving of its mechanical shortcomings and pacing issues, finding the experience frustrating or underdeveloped. These mixed reactions highlight the importance of approaching the game with the right expectations. Ultimately, Roseblight is a deeply personal and ambitious indie RPG that values tone, exploration, and emotional weight over polish and accessibility. It is not a game designed to appeal to everyone, but for players who enjoy somber worlds, slow discovery, and narrative experiences that leave space for interpretation, it offers a memorable and thought-provoking journey. Its imperfections are evident, but so is the passion behind it, making Roseblight a compelling example of how indie games can prioritize atmosphere and meaning over conventional design comforts. Rating: 5/10