
Control history in Decade - a groundbreaking indie adventure. Explore an alternate past. Discover how its ideas develop, distort, and disappear. Seed new movements, destroy others. Subvert the rise and fall of empires, art, ideologies, and individuals in this experimental narrative game.
Modeled estimate, not a reported figure. How we estimate →
Discounts
Every price cut of more than 20% we have observed, in each market that quoted one, with this game's chart position on either side of it. These are episodes, not a model: a sale is one event, and one event cannot tell you what the next one will do.
Reviews, worldwide (the counter carries no country): 0.43/day in the week to Aug 15 → 1.14/day in the week after.
For scale, across Steam · Top Sellers · Brazil over the last 30 days: the 26 chart moves that followed a price cut of more than 20% went a median of 7 places towards #1, and the 2,400 moves with no price cut behind them went 2 away. One store, one chart, one country — it is the only place we have enough observations to say even that.
Prices outside the United States have been collected since 6 August 2026 and chart positions since 19 July 2026, so a cut older than that has no market to compare and a market that joined later has no history yet. Nothing here is converted between currencies.
About
Decade is an experimental adventure game where you will send children back into the past - ten years at a time - to learn how the world ended, and what you can do to change it.

Investigate documents, technologies, and artefacts to understand history. Manage the children and their abilities as they age dramatically. Try to make the right decisions as you create multiple futures that you can venture into.

20 FMV endings to discover
A deep and complex narrative (Over 50k word script)
9 unlockable themes - each with its own soundtrack
A unique and compelling gameplay mechanic

Decade is a first-time solo-dev project.
Genres
Engagement
Reviews
Themes across 60 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
Oedipa took out her little memo book and opened to the symbol she'd copied and the words "Shall I project a world?"
A very unique and interesting indie game. Deserves more praise.
locked tf in as soon as I heard the amen breaks on the UI sounds for the vetiverianism theme, last piscean you know whats up 💯
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Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English**languages with full audio support
Hours played at review time, across 60 reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
Very cool narrative game, extremely dense in subject matter and themes. Absolutely worth the time but be ready to sit down and read and think.
I'd like to start by saying this is a rough gem, but a gem nonetheless. If you have any interest in dystopias or alternate history settings, and you enjoy narrative heavy games, then give this a try, right now! You may not agree with the themes or message of each dystopia, and you may have problems with aspects of the game's general historiography (if certain other reviews are any indication), but what's interesting about someone who thinks exactly like you do? Now for some complaining: Firstly, this is not a Choose Your Own Adventure where you'll spend hours debating philosophy with the characters or that has thousands of choices with bespoke outcomes. This is a puzzle game. The narrative hints and feedback you receive are certainly much better than the point-and-click or puzzle games of decades (lol) past, but still too thin and vague for my own taste and I think the taste of general audiences. Worse is that many puzzles require you to get three separate elements correct and does not give you different feedback than if you had gotten them completely wrong, even if you were close. In one instance, I selected the correct trigger and the correct action, and was very frustrated to find out when reading the walkthrough later that I would've never experienced 2/3's of the story if I hadn't looked up a guide, simply because I didn't select the correct item. Unfortunately, I believe this story may have worked better in a novel format, if the puzzle elements had been removed completely, or if the resource pressure of the children's ever-increasing ages was removed or at least halved. As it is, it simply does not feel very good to send your kids back in time and waste 10 years of their life having learned nothing new, despite your most educated guess. This is surely part of the intended experience, but you're ALSO expected to restart multiple times to get all the different endings. This is only made more tedious by that fact that your discovered timelines only stay on-screen until you change saves or restart, and there is no indication that you've explored all the valid branches of a timeline! You're expected to care about your kids, and I did at first, but you start to view them as tools after the fifth restart. This feels like a really bad design clash and makes for an unpleasant gameplay loop. There is an argument that this could also be intentional (full spoilers ahead!), [spoiler] mimicking your character's personal development. I don't think that makes sense. Firstly, and most importantly, it's very clear when you restart that you are doing it as the player and not the character. However, multiple dialogues with the children about your behavior before reaching the bunker imply, and the contrast between the "Good Ending" and "Best Ending" basically confirm that your character was basically a Vetverist-lite all along. Or, at least, someone who wanted a life of death and violence for themselves, even if they maybe wanted a better future for humanity and recognized that particular dystopia as not being objectively better than most of the rest outside of personal preference. It is possible the protag really was a cold-blooded sociopath doing it all for himself, as some of Ula's dialogue and timeline imply. Even after you get the archival fluid you can't choose to follow Jag's suggestion to find a nice timeline and jump into it together, or start using yourself in the experiments. Still, I take the more optimistic interpretation I began with. [/spoiler] That being said, I think my argument stands. Also, and this is a pretty minor complaint given this is a project from an indie solo dev (as opposed to the puzzle/gameplay issues which were a design choice that added MORE work for the dev), but I found the UI to be pretty visually unappealing and lacking in feedback. It definitely felt a little sluggish too, though that may just be my machine. However, the choice of multiple themes based on ideologies you've discovered was a nice touch. I also REALLY enjoyed the FMVs! Despite complaints making up the vast majority of this review I'd like to say I still really loved this game's and only wrote all this out because I was distraught to see only about 5% of players have finished the game! My suggestion: play the game as intended until you start to get frustrated and then use the dev's guide and flowchart to experience the rest of the story. Really excited to see what Last Piscean comes up with next! And please, throw this developer some cash before a youtuber makes a two-hour video essay summarizing every single plot point and sucking up further sales.
This game takes the old school idea of a "text game" and flips it on it's head. You can really dive deep into this one if you want to for well over 10 hours of gameplay. The art package is truly amazing. Looks stunning the whole way through, including the psychodelic FMV endings. Looking forward to anything else from this developer!
bu neymiş böyle ya
Начну сразу с минусов: техническая составляющая и интерфейс - самые слабые части этой игры. Окошки перекрывают друг друга, текст иногда не влезает в окна, музыка периодически выключается, игра ненавидит альтаб и просто иногда крашится. Создается впечатление, что играешь в реликт эпохи доса через эмулятор, а не игру 2025 года. Второй даже не минус, а камень преткновения - это количество терминов, которое на вас вываливают с самого начала. Самого текста не очень много, но он усыпан философскими течениями и прочим миростроением, с которым нужно взаимодействовать для прогресса. Глоссария в игре нет, поэтому рекомендую оставить в уме или на бумаге заметки, что х это технократы, у это милитаристы итд. Больше у меня претензий особо нет - у игры сносный сюжет, потрясающая эстетика (особенно ролики концовок, которых дохрена) и интересные механики. Как водится в сюжетах про путешествия во времени, любые действия ведут к непредсказуемым последствиям, да и сами дети довольно своевольные, а не бездумный инструмент, поэтому игра куда более интригующая чем стандартные внки. При этом я бы не назвал ее особо сложной - да, способов взаимодействия с таймлайнами дюжины, но при неудаче всегда можно попросить подсказку в каком направлении стоит копать. Ну и на крайний случай сейвскам никак не наказывается, если не поощряется. ТЛДР: очень хорошая адвенчура, но всем советовать бы не стал.
A modern classic. A density of ideas and imagination seldomly found in indie games of this scope!
Incredibly unique and interesting game, loved my time with it. Check it out if you enjoy science fiction and/or philosophy and great storytelling!
Selling now
See how fast this game is selling right now — estimated copies and revenue per day from recent review growth.
Players by region
Where this game's players are, estimated from review languages.
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