
A visual novel of brutal beauty and tragic love. You wake up trapped inside your own dark fantasy, Lion Camel Kingdom. To escape a ten-day demon massacre, you must survive and recover your memories to solve the mystery of a drowned Yangzhou courtesan.
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About

It is 1642, the final years of the Ming Dynasty. The scholar Fang Zhiyou loses his mind to grief when his childhood love—the celebrated Yangzhou courtesan Su Lianyan—is found drowned. Convinced that all men are beasts, he numbs himself with wine, his memories shattered.
Three years later, drunk and broken, Fang Zhiyou awakens to a nightmare: he is trapped inside Lion Camel Kingdom, the world of his own macabre writings. Demon soldiers have breached the gates. As the city burns with slaughter, pillage, and flame, a man with no will to live finds a reason to survive: a feral young girl called Little Yan, whose face is a ghostly echo of Su Lianyan. He makes a desperate vow—to keep her alive until the massacre ends.
As they flee through the charnel house of his own creation, fragments of his past resurface, blurring sanity into madness. But the truth, when it comes, will offer no escape from his destiny...

From the team behind the million-selling visual novel The Hungry Lamb comes a brand new, standalone experience. You don't need to know the previous game to be drawn into this world of desperate beauty and impossible choices.
History and nightmare collide. Based on the real-life tragedy of the Ten Days of Yangzhou (Yangzhou Massacre), you must navigate a city under siege by monsters. Every moment is a life-or-death calculation: Where to hide? When to run? Do you bargain with your last coins, or draw your blade and fight? Your choices—and your life—hang in the balance.
Experience a narrative of two halves: the visceral terror of the demonic siege, and the heartbreaking beauty of a scholar's lost love. Past and present intertwine in a novel-length script of over 450,000 words, leading to multiple main endings and dozens of ways to die.
Hundreds of hand-crafted CG illustrations bring this dark era to life. The art blends realistic oil-painting textures with a modern anime aesthetic, while characters' clothing and architecture are meticulously researched from Ming and Qing dynasty sources, capturing both the historical truth and its brutal beauty.
The entire story is fully voiced by a star-studded cast of Chinese and Japanese talent (Japanese VO to be added post-launch). An original, evocative soundtrack elevates every moment of terror and tenderness.
For fans of the Hungry Lamb, a special bonus chapter awaits. Revisit Liang and Sui in two all-new story threads that explore their fates beyond the events of the previous game, offering a deeper glimpse into the world of the Weeping Swan.


Fang Zhiyou
The protagonist. After losing his parents at the age of nine, he was adopted by his uncle. Fang passed the imperial examination at a young age and became a scholar. However, he chose to live alone, gave up pursuing an official career, and tried to spend the rest of his life as a writer.
He tried to emulate the Scoffing Scholar of Lanling, who wrote The Plum in the Golden Vase inspired by Water Margin. Similarly, Fang Zhiyou created The Lion Camel Kingdom based on Journey to the West. However, the death of his friend Su Lianyan shocked him so deeply that he could no longer write. He lost his memories and developed an illness that caused him to see people as beasts. In 1645 on the 24th day of the fourth lunar month, after drinking heavily, he found himself transported to The Lion Camel Kingdom — the very world he had once written about.

Su Lianyan
A courtesan who never offered bed services. She was an artist with a natural talent for writing poems, drawing, and playing different instruments. Su Lianyan was so famous that people from the whole empire traveled to see her performances. The night of the 15th year of Chongzhen, she ended her life by jumping from the Twenty-four Bridge into the cold waters. Her death became a never-cured illness in Fang Zhiyou’s heart.

Little Yan
A mysterious young girl with the same nickname and appearance as Su Lianyan. However, she has a very distinct personality from Su. Fang’s old friend was decisive and stronger than most boys, but Little Yan was a weak, faint-hearted girl to be protected. She is the first person that Fang meets after entering The Lion Camel Kingdom.

Lin Pianpian
Pianpian was born in poverty. In the 13th year of Chongzhen, she was selling herself at the Willow Street of the 24th Bridge. She met Zhiyou out of coincidence, but they gradually drifted apart after Lianyan's death. With her sensational beauty, she rose to fame many times in the following years. By the time Yaoguai broke into the city in the year of Yiyou, she was already the most prestigious "Red Courtesan" in 24th Bridges.

Madam QiongHua
The wife of a general. She got her nickname, Qionghua, after the white-jaded flower she always wears in her hair. She used to live in a shelter under the Twenty-four Bridges, gathering victims from all around the city and protecting them from murder and theft in the name of her husband, Wang. As she became popular, the people she saved started calling her Madam White-Jaded Flower, or Madam Qionghua.
The Golden Winged Great Peng
The responsible for the massacre of the city in The Lion Camel Kingdom. He is one of the three Yaoguai of Shituo Ridge. Of an unpredictable personality, his actions are hard to comprehend, yet he often accomplishes remarkable feats. The eldest Yaoguai brother is the violent Green Lion, the second is the cunning and scheming White Elephant, and Tathagata Buddha who is yet to become Buddha, is his own nephew.

Scholar Wang
A friend several years older than Fang Zhiyou. They earned their scholarly titles together. In younger days, he would take Fang Zhiyou to the pleasure quarters at Twenty-Four Bridges, but marriage and fatherhood ended those visits.
When The Lion Camel Kingdom slaughtered the city, he and his family fought to survive.

Liang
During the massacre of Lioncamel, a hero who saved people in the city would record every person he saved, saying that it was to "repay his debt".

Sui
A strange woman often mentioned by the hero "Liang", she was not in the city during the massacre.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Reviews
Themes across 533 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
某人又要睡不着咯
何苦呢,看得出来有些水平,何必写的这么凄凄惨惨呢,个人看来有些过了。林翩翩的部分剧情再隐晦一点我也不会说啥的,看的我不得劲,不及前作的皮毛。
“一恨鲥鱼多刺,二恨海棠无香,三恨《红楼梦》未完。” “读《金瓶梅》而生怜悯心者,菩萨也;生畏惧心者,君子也;生欢喜心者,小人也;生效法心者,乃禽兽耳。”
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Price dynamics, follower growth, revenue and sales trajectories with interactive tooltips
This and every other Pro feature is free until October 20, 2026. A free account is all it takes.
Reviews, worldwide (the counter carries no country): 8.57/day in the week to Jul 24 → 10.57/day in the week after.
For scale, across Steam · Top Sellers · Brazil over the last 30 days: the 22 chart moves that followed a price cut of more than 20% went a median of 9 places towards #1, and the 2,513 moves with no price cut behind them went 2 away. One store, one chart, one country — it is the only place we have enough observations to say even that.
Prices outside the United States have been collected since 6 August 2026 and chart positions since 19 July 2026, so a cut older than that has no market to compare and a market that joined later has no history yet. Nothing here is converted between currencies.
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Japanese, Simplified Chinese*, Traditional Chinese*, Russian*languages with full audio support
Hours played at review time, across 534 reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
我是在手机端taptap上购买的饿殍,这部作品的确是比较打动我的,出于对明末三部曲所想要展示的世界观的好奇,我了解并购买了哀鸿,玩完了游戏的全部内容,我的评价是如果他是一部小说,他可能会很成功,但作为一个游戏甚至是用众筹出来的资金开发的游戏,这是不合格的。
先说不容否认的亮点:美术与配音是国产2D文字冒险的天花板级别。 明末写实风格,CG质量在线,服饰建筑考据严谨,疯病发作时色彩扭曲的表现主义处理也不错,几场核心情感戏的声画同步很到位。叙事结构不赖,双线交错,给读者新视角。前作《饿殍》的"良穗篇章"也不错。 但是缺点也很明显,格局严重萎缩,开篇铺陈"扬州十日"的宏大历史背景,最终被收束到一段"人鬼情未了"式的私人恋情中,完全的高开低走,没招了。扫冯鸡0依靠不断堆砌苦难、让角色被动承受折磨来换取情绪,这种"为虐而虐"的写法,让整部作品充斥着憋屈与悲哀,却没有留下回味与升华的空间。死亡结局过多,玩起来莫名其妙,繁琐,更消解了死亡的重量。 林姐是整部游戏最值得被认真对待、却也最被亏待的角色。林姐的台词围绕"今日未曾接客""刚接完客就来见你""客人粗鲁留下气味"展开。她"脏",所以可以衬托苏怜烟的"纯";她低贱,所以可以为掩护主角而死;结局她为了刺杀多铎故意感染天花,通过性接触完成复仇。这不是叙事,这是暴行。当编剧把所有笔墨都用在描写她"脏"的细节上,把她的死亡设计成猎奇意味的牺牲仪式,她就从"人"退化成了"装置",纯纯地把你林姐当傻子整,给楚成方知有当成圆梦的工具杯子。方畜的"见死不救"让你林姐的牺牲显得毫无意义, 方楚对林翩翩满脸嫌恶,觉得她"不洁";但他花大价钱去光顾苏怜烟,这不是角色缺陷,这是私募的鸡0在无意识中暴露了自己没想清楚"这个主角到底为什么值得被讲述",林姐倾尽所有甚至付出生命,方楚却从未正视过她的感情,连最基础的救助都没有——她的牺牲不是因为时代的残酷,而是因为创作者的冷酷。她的悲剧没有"出口", 唇沟鸡0事后道歉,承认过度追求风格化表达,承诺新增IF线补救,但这恰恰暴露了问题:在不知道"用这种笔法写这个角色意味着什么"的情况下就写完了四十万字——这已经是创作伦理的基础课没上。 林姐值得一个更好的故事,一个把她当人而不是工具来写的故事。她的苦难可以存在,但必须服务于一个比"让玩家难受"更高的目的;她的牺牲可以有,但必须让玩家感到"这些人的死,我被看见了",而不是"这些人的死,只是作者写嗨了"。
结局不好
其实玩下来感觉还可以,没有网上那么多人说的那么不堪,美术配乐和CV老师还是在线的,就是剧情部分地方会有点抽象 首先是记忆两篇多少有点风格脱节,说是扬州十日实际上让人感觉就是个噱头,记篇前边好不容易拉起来的绝望紧张刺激感反手就被忆篇的各种风月场百科稀释得干干净净,而且后边再也没有把这种历史沉重感营造起来;前作饿殍在历史沉重感上做的就很好,但哀鸿这个做的真的一言难尽 然后是人物塑造:方知宥我个人感觉没有想象中那么懦弱(毕竟玩之前我还是有看测评的),像初遇良爷和砍娃娃兵这里还是能看出牢方是有血性的,但前中期表现比较差劲,不是在跑就是在被救,良爷出场之后更是沦为了摄像头,几个结局中烬志和聊斋塑造不错,其他结局一般,红楼对牢方纯负面塑造;苏怜烟前边塑造还不错,本来还挺喜欢她的,一说跳河的原因是渐冻症我真的要笑死,更神人的是她最开始还想拉着牢方一起跳了,给我人看傻了;林翩翩就不说了,整部作品下来除了饿殍组之外塑造得最好的人物;其他配角塑造都还不错,就不多赘述了 接着关于选项设计不合理,前期整个意义不明的经济系统,到头来除了给成就毛用没有,而且半途而死结局一大堆,为了BE而BE,而且前期一死小雁儿就在那“知宥你不要死”,整的我都要被洗脑了 if线也是纯敷衍了事的产物,有没有都解决不了风评差的根本问题,更何况还有借鉴同人的嫌疑 最后我将全力输出傻逼至极的红楼结局,疑似牢零喝高了的产物,哀鸿最大的一坨,我甚至觉得整个哀鸿以及方知宥这么差的风评红楼要背3/4的锅。纯粹为虐而虐,而且彻底把方知宥前边好不容易积累起来的正面塑造清零了,还干成了负的:要知道林翩翩当妈一样把疯了的方知宥照顾了三年,这里牢方失忆我姑且算他有疯病;结果后边扬州十日没有林翩翩方知宥起码要死两次,他还能反手把她忘了25年也是无敌了,直接给牢方写成了没良心的白眼狼;而且你怎么解释都说不通,你说他没爱过林翩翩那他就是忘恩负义的东西,你说他太爱林翩翩碍于阶级局限不敢承认导致痛苦地忘了她又不贴合前文他对苏怜烟的痴情;然后对翩翩更是纯恶意,你把翩翩照顾废物书生的剧情放到忆篇不好吗?非得塞到结局才来讲一下子,再加上红楼本身把牢方写成了出生就有一群没玩过的骂她是讨好型人格;关于翩翩最后染上天花和金翅大鹏王一换一同归于尽的结局本来还好,神人鸡0非要在前边反复强调翩翩是娼妓,结局里更是直接把“以身为剑”“最为轻贱之身份”这种词怼到你脸上,结果一堆梗小鬼天天在那B点下包,这种有歧义的表达生怕玩家不想歪,末了访谈时还要来辟谣,我寻思你把剧情写清楚了哪来的谣言 总结下来就是和饿殍比差了十万八千里,虽然不至于贬成史,但真的不值得一玩
游戏时间短:游戏先玩的学习版,鉴于恶心的情节后来补票。 先谈谈优点:本作比上作情节更长,耗时也更多,但美工,配音,音乐都可以称之为上上乘。对历史有部分的还原 后说说缺点:首先我便不知道哪种小学生能想出这种猎奇情节,苏患渐冻症想和方殉情,我不理解是为什么能用渐冻症让苏提前死,是为了保护方心中纯洁无暇的白月光?这种剧情很没有新意也很无趣。其次是方本人的言谈举止,讲真我没见过这么没情商的人,动点脑子便能想出言外之意,但方和被系统控制了一样,白月光很美好,一辈子满眼都是白月光。 一个辩题很有意思:你爱的人和爱你的人会选谁?但我觉得爱绝非如此轻浮,倘若下定信心去爱,你又怎么会如此徘徊不前?林很爱方一次次给他逃命的机会,最后也爆了。反观方,对苏却做不到如此。 再言剧情:悲剧之所以成为悲剧,并被世人铭记,不在于裤裆文学,不在于一次次充满恶意的描写与对比。悲剧应当描写出了社会背景的黑暗,鸡为什么成为鸡,鸡为什么如此“下贱”。写悲剧不应该只写悲剧,不应该在玩完后留下“啊好惨”的空悲切,更应该让人们思索为何如此的原因。即写鸡不是为了笑鸡,是为了从今不在有鸡。 最后谈谈林:本作最令人悲叹的角色,无论“悔儿”还是“翩翩”或许都不应该成为她的名字,她是没有自我的人,是一辈子在黑暗里的人。她自从被鸡0设计后,便带着鸡0无尽的恶意。前文已经提到的低能对比以及3000两和100两的差距还有前几月对她烂梗的评判。可惜,可惜。 if线也只有敷衍感铺面而来,这里不多评价。 最后,不坚持付费赤石,可以去b站想办法免费赤石
狗屎 就只有良田满穗夯
怎么说呢,太无力了,本身以 忆 叙事就无法改变 苏 已死的结局,而且以 记 叙事也无法改变 林 最后死亡的结局,就是没有好结局,if线太短且敷衍,良穗的番外质量很高。总体3.5分,结局不好且没得选,美术和音乐很好
Active players
Estimated daily and monthly active players (DAU/MAU) modeled from peak concurrency.
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Where this game's players are, estimated from review languages.
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