The Subject

Annoying!

Great concept but the puzzles you have to solve at each hall are incredibly difficult and tedious. Takes away from any desire to continue playing when you've spent 3 hours on one puzzle trying to figure out what to do, clicking the same thing repeatedly.

簡單來說， 就是擴大科幻版的Slender Man 你必須在大到不行的太空站中找一堆有的沒的 還沒甚麼線索 被怪物追殺後來也沒有恐懼 只剩下憤怒而已

Um escape room de terror com integração com a Twitch. Se desloque por um labirinto e resolva puzzles antes de ser pego por uma criatura horrenda. Se for streamer, será trollado pelo seu chat.

I am a seasoned gamer and for the past 20 years have played the most difficult adventure games possible and platinumed all the dark souls and bloodborne games with ease. That being said, when I say the puzzles in this game hardly make any sense, I mean it. I walked around the same 5-10 rooms for an hour and a half and did absolutely NOTHING to progress the game. I think there may be a bug because I watched a walkthrough on youtube after I was done with this game and there was a button on the wall where in my game there was not. Unless it is randomly generated I dont know. There is ZERO direction in this game. There are little buttons everywhere to push and you have no idea what they do. All while a monster is chasing you. If this sounds fun for you go for it, for me it was 90 minutes of wasted time and goes down in the bucket of the 0.1% of games that I will never finish.

Let me start by saying I love Darkstone Digital and this is just the first game that was made. While you may want to skip this one, I certainly recommend some of the newer titles such as Our Secret Below and The Mortuary's Assistant. As some others have said, this game is a good example of a new game developer who has taken negative reviews very well. It seems like every game after this release has gradually improved on the things people did not like about this one. While Kohate is essentially an improved version of this game, games after that changed it up completely. While I can't recommend this game I will be looking forward to future releases from Darkstone Digital.

I love the idea of the game but the execution is lacking. One of the first puzzles is a sliding puzzle but 3D and I'm certain almost nobody likes those. You need to align glowing tubes to the outside part of the puzzle but you can't always see said tubes due to the 3D nature of the puzzle. It makes an already unfun puzzle into a memory game affair. The monster that stalks the area you're in is locked out of main puzzle areas which begs the question why the monster even exists if its not a core gameplay element. Lethe Episode One has a few puzzles in it that has a monster stuck with you while you try to solve the puzzle and that's been one of the scariest gaming memories I've had. The Subject takes the easy way out while also have less fun/interesting puzzles. The map you can see of the area is also pretty useless but the area you're in isn't too big but it can be tedious to wander aimlessly. Basically, I'd recommend Lethe: Episode One over The Subject. The Subject has the better premise but Lethe has the better game. And they're similar spooky experiences to boot.

The Subject to całkiem udana niezależna gra przygodowa z perspektywy pierwszej osoby w klimatach hard sci-fi, którą na pewno docenią fani gatunku. W przeciwieństwie do innych tego typu horrorów, gra posiada całkiem wymagające zagadki i nie prowadzi nas za rączkę. Wrzuca nas do jednej dość rozległej korytarzowej lokacji na stacji kosmicznej i nie mówi wprost co mamy robić. W pewnym momencie przygoda dodatkowo jest utrudniona przez pojawienie się potwora, którego spotkanie, niczym w Obcym Izolacja (z którym miałem lekkie skojarzenia), oznacza koniec gry. Na szczęście dla wielbicieli przygodówek, a niekoniecznie horrorów, gra posiada tryb Casual, w którym nie musimy obawiać się potwora (bo go nie ma). Czy gra posiada jakieś wady? Cóż, projekt lokacji to istny labirynt, w którym łatwo się zgubić, zwłaszcza gdy gramy w trybie normalnym i goni nas potwór. Nawet osoby dobrze odnajdujące się w terenie mogą mieć tutaj problem. Wydaje mi się jednak, że miejscówki zostały tak zaprojektowane celowo i ma to uzasadnienie fabularne. W centrum stacji znajduje się specjalny wskaźnik, który pomaga nam powrócić do tego miejsca, więc pewne ułatwienie w przemieszczaniu się jest. Ocena: 7/10

Im at the end of the game and there is a nav lock on the door where I have to put the pannel but I cant get the nav lock off, does anyone know how to get the lock off the final door?